Help! My Short Story is Turning Into a Novel! – 3 Tips to Get It Back on Track

 

Too wordy?

 

Those of us who write (or read) mostly novels are used to dragging out the story over several scenes and chapters. We set the stage, introduce characters, infuse the narrative with backstory, build plot, build plot, build plot, write very dramatic death scenes at the climax, then finish up with a brief but satisfying summary of what happened afterwards. The problem is, we approach short stories as if they are mini-novels…then wonder why we can’t make it work. Here are three things I’ve learned about writing the perfect short story:

1. Find the right place to start. Picture the whole story in your head, as if it were a full length novel, and identify the climax—the moment the hero makes his or her ultimate decision, and people die or escape or kiss or whatever. Write that scene. And only that scene. Now, read it. Does it make sense by itself? If not, add backstory in small amounts until it does. If you really have to add additional scenes, add them, but only before the climax, never after—and keep your red pen ready.

2. Build the story like a joke. Whether it is a comedy or not, think: Setup. Punchline. Open with a punchy first sentence and build quickly to your climax; your last sentence is your punchline.

3. Cut extraneous details. No more than three main characters, and that’s pushing it. Don’t describe whole landscapes; only what your character notices in the heat of their passion, fear, grief, whatever. If possible, don’t even include character names. Look carefully at every sentence, every word. If it can be cut, it should be—you will find the phrasing hits harder the more concise you are.

The Three Laws of Writing

There are dozens of rules in writing – ones you should follow and ones you should break – but there are three basic tenets at the core of good fiction that you ought to know. I’ll expand on the Three Laws as we go along. For now, here’s an overview:

Law #1: Read good books. Garbage in, garbage out. If you want to write well, feed your mind with excellent writing. You’ll learn a lot just by osmosis. Start with the books that defined your genre. If you write fantasy, read Tolkien. If you write sci-fi, read Wells. If you write mystery, read Doyle. Then branch out and read in other genres; Dickens. Carroll. Bradbury.

Law #2: Show, don’t tell. You’ll hear this one a lot, because it’s true. But it’s not always explained well. Here’s a short example: “she was beautiful” is telling; “her large, indigo eyes peeked out from behind a mess of curling flaxen locks” is showing.

Law #3: Write from your gut. You’re trying to write a dramatic scene and it sounds cheesy. It’s happened to the best of us – because we were trying to be poetic instead of just writing from the gut. Hopefully, we haven’t experienced the same tragedies that we inflict on our characters, but we’ve probably felt, to some degree, the same emotions. You’ve never lost your entire family to Martian invaders in a single day, but maybe you had to put your dog to sleep. Latch onto that feeling. Try to remember every detail – how it felt in your chest and in your fingers, the thoughts you didn’t want to think, the things you wished you could say. Avoid using fancy words; just write as plainly and as honestly as you can, and from the rawness of your emotion, beauty will naturally emerge.

Is your work Three Laws Safe?