You may be a grammatical black belt, leaping big vocabulary words in a single bound. But take care: you could still be making elementary mistakes that’ll leave your readers cringing, eye-rolling, and yes, even face-palming.
Does your story sag in the middle? Do you feel like you’re plowing through boring scenes just to get to the cool ones? Is your protagonist wandering around aimlessly, looking for the climax?
It’s not enough to have all the major events written down in a neat little list – what you need is structure.
A hundred strangers cling to one another as their runaway train thunders toward a dead end.
Across town, the only woman you’ve ever loved is strapped to a time bomb.
Save her, keep your heart from breaking. But a thousand other hearts get broken instead.
SPOILER ALERT: The following includes spoilers for City ofAngels(Sparks), Message in a Bottle (Sparks), A Tale of Two Cities (Dickens), The Brothers Bloom (movie), and Stranger Than Fiction (movie).