Inspiration Monday: erase her

What did Mr. Darcy dress as for Halloween? The headless horseless horseman!

How shall we ever wait till the big fallout on Thursday??? By reading these lovely pieces!

Sabrina

MissM

Chris

Elmo

Parul

Craig

Kim

The Rules

There are none. Read the prompts, get inspired, write something. No word count minimum or maximum. You don’t have to include the exact prompt in your piece, and you can interpret the prompt(s) any way you like.

OR

No really; I need rules!

Okay; write 200-500 words on the prompt of your choice. You may either use the prompt as the title of your piece or work it into the body of your piece. You must complete it before 6 pm CST on the Monday following this post.

The Prompts:

erase her
patch a hole
seeking boredom
outside in
the past is calling

Want to share your Inspiration Monday piece? Post it on your blog and link back to today’s post (here’s a video on how to do it); I’ll include a link to your piece in the next Inspiration Monday post. No blog? Email your piece to me at bekindrewrite (at) yahoo (dot) com. (I do reserve the right to NOT link to a piece as stated in my Link Discretion Policy.)

Plus, get the InMon badge for your site here.

Happy writing!

* MC = Mature Content. 

Opinions expressed in other writers’ InMon pieces are not necessarily my own.

Should you write for yourself, or for other people?

Image by AntToeKnee. Check out his profile to read his hilarious bio.

When you sit down to write, who are you writing for? Are you writing only for your own amusement (or catharsis?), or to entertain other people? And which is right?

If you write only to please yourself, you’re in danger of contracting Ugly Baby Syndrome—thinking your creation is perfect no matter what anyone else says. If they don’t like it, you are personally offended. If they say pages full of poetic scenic description are boring, you say they are uncultured swine. You throw a little pity party because nobody understands your unique method of expression.

Well, you’re right. Nobody understands you because you’re not explaining yourself well.

Here’s the tough truth: being unique doesn’t make you good. You may be expressing yourself, but you are refusing to express yourself in a language anyone else understands. You are being selfish. If you want to be understood, you have to speak to them in their language first. Start where you have common ground. That means putting the story—its integrity, pace, and structure—above your pretty-words ego.

If you write only to please people, well, you’ll become a people-pleaser. A sellout.The irony is that this is another form of selfishness. You’re really writing for the attention, the prestige, the money. As soon as you find something most people seem to like, you’ll just keep writing that same story over and over again—change the names and the settings, but the same plot every time. You don’t dare to be different. You don’t dare to write the truth about your own life and struggles and the hard things you’ve learned. You turn into a formula fiction factory. On your new book cover, your name is larger than the title because people already know what’s in any story you write. You’ve stopped being an artist. You have ceased to express yourself. You are not telling the world anything it doesn’t already know.

So what’s the answer?

Write for yourself. Edit for your audience.

Maggie pointed this out in the comments of this post.

When you pour out that first and second draft, write what you enjoy. Write the kind of story you love to read. Write who you are in the grittiest, nakedest way. Write what you want to say to the world.

The ironic result is that a lot of other people probably love what you love. A lot of them have felt what you have felt. What you write could appeal to them on a deep level.

When you move on into the rewriting and editing stages, have them first in mind. You expressed yourself. Now, translate that expression. Help your audience understand you, and help them have a good time of it. Put the story above your ego. That means showing truth, not preaching it. It means cutting out extraneous drabble; letting go of your sentimental attachments if they don’t support the story. If you are in love with an unnecessary character, or you adore a setting that hinders the plot, or you’re attached to a line of dialogue a character would never say, cut it out!

Your writing ability should serve the story, not the other way around. First the truth-telling. Then the truth-translating.

That’s how to create something both you and your audience will love.

 

 What sentimental attachments do you have to detrimental elements of your work? What truths are you afraid might offend people?

 

Inspiration Monday: invisible sky

Another slow week in InMon land. Gearing up for NaNoWriMo, are we? No matter: more time to enjoy these pieces!

Raina

Chris

Carrie

And if you have a little more time, you must check out the Hobbit read-along going on at The Warden’s Walk. I’m only just catching up, but everyone is brilliant in their reviews.

The Rules

There are none. Read the prompts, get inspired, write something. No word count minimum or maximum. You don’t have to include the exact prompt in your piece, and you can interpret the prompt(s) any way you like.

OR

No really; I need rules!

Okay; write 200-500 words on the prompt of your choice. You may either use the prompt as the title of your piece or work it into the body of your piece. You must complete it before 6 pm CST on the Monday following this post.

The Prompts:

invisible sky
view from the gutter
crime of compassion
broken note
used words

 

Want to share your Inspiration Monday piece? Post it on your blog and link back to today’s post (here’s a video on how to do it); I’ll include a link to your piece in the next Inspiration Monday post. No blog? Email your piece to me at bekindrewrite (at) yahoo (dot) com. (I do reserve the right to NOT link to a piece as stated in my Link Discretion Policy.)

Plus, get the InMon badge for your site here.

Happy writing!

* MC = Mature Content. 

Opinions expressed in other writers’ InMon pieces are not necessarily my own.

Flash Fiction: The Mysterious Case of the Marshmallow Mushroom Forest

I wrote this piece for Jubilare, who figured out a way to redeem her awesome points. She gave me a writing challenge. The prompt: “The Mysterious Case of the Marshmallow Mushroom Forest.” No other stipulations. This is what I came up with. I hope you like it, Anne!

Photo by Reb

The story you are about to read is fiction. The names have been made up to protect no one, because none of the characters actually exist.

The Mysterious Case of the Marshmallow Mushroom Forest

This is the kitchen. Suburbia, USA. A canvas of bacon grease, Kool Aid stains, and Cheerio dust. A place where juveniles come to sneak M&Ms and adults come to swig whiskey when one too many episodes of Spongebob has made them forget they never bought any. A place for cooks, Pinterest addicts, and me.

I carry a bowl.

It’s Tuesday, March 15. It’s a sunny day, I’m working the breakfast shift out of the Your Turn division. My partner’s the Mrs. My name’s Daddy.

8:02 a.m., I pull in at the door just like any other morning. It takes me six steps to get to the pantry. When I arrive, the cereal box is waiting for me. It’s open.

Warily, I pour a little into the bowl. I don’t see any bugs, but something else isn’t right.

The Mrs. arrives on the scene, yawning.

“You were up late last night.”

“He kept begging for one more chapter.”

“Dahl again?”

“Carroll. He’ll be drawing white rabbits for weeks.”

I glance at the refrigerator. It’s plastered with a construction paper panorama of a factory. Cotton balls stream out of the smoke stacks, and at the front gate, little men drawn with orange crayon are carting out magazine clippings of candy bars. For a moment, I consider the difficulty of adding a top coat of grinning cats and smoking caterpillars over the three-dimensional collage, but the Mrs. interrupts my thoughts.

“These Cheerios are deformed.”

“They’re Lucky Charms.”

We both look in the bowl. Then we look at each other. It strikes us at the same moment.

“No marshmallows.”

8:05 a.m.. We call the suspect into the dining room. We place the Lucky Charms box and the half-filled bowl on the table in front of him. We stare at him: Me. the Mrs. The cartoon man in the green top hat.

“Ben. Did you eat all of the marshmallows out of the Lucky Charms again?”

“Nooo.”

We glance at each other.

“I dedn’t eat the mushrellows!”

“Then what happened to them?”

“I glueded them.”

“Glued them? To what?”

The suspect jumps from his chair and runs out of the room. We chase him down the hall, and arrive in his bedroom at 8:06 a.m.. He is at his drawing table, holding a sheet of paper.

“I glueded them to the forest.”

We look at the paper. It is spattered with hard sugar hearts, stars, horseshoes, clovers and blue moons. A fat worm is outlined with green marker, and a girl in a blue dress towers over him.

“See?” says the suspect. “These ones make you grow big and tall. But thoses makes you  get shrunk.”

“All we want are the facts, Ben. Why did you glue marshmallows to the paper?”

“I think they’re mushrooms, Joe.”

“Mushrellows. I couldn’t find any musher-rooms. This is a subs-ta-toot.”

“I guess they do sound alike.”

“No, silly Mommy.” He pats her arm.

“No? Then why did you use marshmallows?”

“Becuzzz. The Hatter says they’re magically delicious.”

Upon closer inspection of the cereal box, the Mrs. finds that the cartoon man indeed bears a striking resemblance to the character known as “the Mad Hatter.”

On March 15, at 8:09 a.m. the suspect appears in court before a jury of his parents. The jury finds the defendant guilty of cereal killing and sentences him to a stern reprimand.

This is the kitchen. Suburbia, USA. It’s a wasteland of lopsided art projects encrusted with peanut-butter-and-jelly stains. It’s a den of thievery, now made just a little bit safer. It’s a place for breakfast – maybe not cereal; maybe eggs this time – breakfast for the Mrs. And the munchkin. And me.

I carry a skillet.

 

Inspiration Monday: brush with life

What a wonderfully strange life this is. Look at the magic we can perform with little black marks on a white field:

Sabrina

Chris

Carrie

Syar

LadyWhispers

MissM (MC)*

Craig

The Rules

There are none. Read the prompts, get inspired, write something. No word count minimum or maximum. You don’t have to include the exact prompt in your piece, and you can interpret the prompt(s) any way you like.

OR

No really; I need rules!

Okay; write 200-500 words on the prompt of your choice. You may either use the prompt as the title of your piece or work it into the body of your piece. You must complete it before 6 pm CST on the Monday following this post.

The Prompts:

brush with life
hollow planet
automatic
tongue-tied
brisk flight

Want to share your Inspiration Monday piece? Post it on your blog and link back to today’s post (here’s a video on how to do it); I’ll include a link to your piece in the next Inspiration Monday post. No blog? Email your piece to me at bekindrewrite (at) yahoo (dot) com. (I do reserve the right to NOT link to a piece as stated in my Link Discretion Policy.)

Plus, get the InMon badge for your site here.

Happy writing!

* MC = Mature Content. 

Opinions expressed in other writers’ InMon pieces are not necessarily my own.