A Few Things to Know About Voice Week 2013

My Internet access will be spotty this weekend, but I want to make sure you have answers to any questions you might have about Voice Week. Here are some just-in-case answers to questions I anticipate you might have.

 

Inspiration Monday Postponed

InMon is postponed for Voice Week, so you’ll have two whole weeks to write InMon pieces from the October 28 prompts before I post more prompts on November 11.

Voices Linked Daily

All you Voice Writers have to do is post your pieces on your own blogs. Every day, I’ll visit your blogs to read, comment on and link to your pieces. I’ll reblog all the pieces on the Voice Week site, so everyone can go there to find links to all of them!

I Won’t Notice If You’re Late

We all live in different time zones. If you miss a midnight deadline, I will assume you’re on time in your time zone. In fact, I’ll probably still be linking well into Saturday. So don’t worry about it; just post when you can!

But What If…

Not sure you wrote exactly what I’m looking for? That’s okay. Everyone interprets the challenge a little differently, and it still turns out awesome! The important thing is that we all learn from each other. I guarantee we will.

If You Aren’t Writing for Voice Week

We still need you! Visit the Voice Writers, read and comment on their voices!

If You Still Want to Sign Up

You can, as late as Monday. Just leave a comment! I’ll get you on the list!

If You Signed Up, But Your Name Isn’t on the Link List

I may be waiting on you to send me a link to your blog. I should have already emailed you if this is the case. If you send it to me and don’t hear back for the next couple of days, don’t worry: I will have it taken care of on Monday!

Other Questions?

Ask me in the comments and I’ll get back to you as soon as I can.

I’m confused.

Check out the rules

See answers to frequently asked questions

 

I need examples. How did Voice Week go last year?

Read last year’s voices

Read my summary post

 

I can’t wait to get started!

Get your Voice Week badge!!!

Inspiration Monday: Brilliant Superstition

Okay, folks. Voice Week starts one week from today, which means this week’s prompts will be good for two weeks – I won’t be posting any prompts during Voice Week.

There’s still time to sign up for that, by the way! We’ve got a good crowd of about a dozen, so we’re set up for a good time already, but there’s definitely room for more. I should note my Internet access will be unreliable for part of this week, but I will catch up with anything I miss by Monday.

Oh, look! Some tasty tidbits to inspire us for next week!

DJMatticus

WithAWritersSword

LLD

WritingSprint

The Rules

There are none. Read the prompts, get inspired, write something. No word count minimum or maximum. You don’t have to include the exact prompt in your piece, and you can interpret the prompt(s) any way you like.

OR

No really; I need rules!

Okay; write 200-500 words on the prompt of your choice. You may either use the prompt as the title of your piece or work it into the body of your piece. You must complete it before 6 pm CST on the Monday following this post.

The Prompts:

BRILLIANT SUPERSTITION

MEET YOUR DESTINY

CURDLED

AFRAID OF NOTHING

FALLING BEHIND

Want to share your Inspiration Monday piece? Post it on your blog and link back to today’s post; I’ll include a link to your piece in the next Inspiration Monday post. No blog? Email your piece to me at bekindrewrite (at) yahoo (dot) com. (I do reserve the right to NOT link to a piece as stated in my Link Discretion Policy.)

Plus, get the InMon badge for your site here.

Happy writing!

October Wallpaper: Voices (what else?)

Voice Week 2013 is just a little over a week away! Now’s the time to sign up – tell me in the comments if you want to. You can actually sign up right through November 4, but the earlier the better!

Aaaand here’s some wallpaper. I like the faces. Though at a glance it looks kind of creepy.

1440×900

Photos by Greeblie, NadiaSeth WoodworthArielle Calderon and The US Army.

 

 

 

Inspiration Monday: The Man in the Radio

Went to a library book sale over the weekend (I know, drool!). Check out my haul!

BookSaleHaul

In total, 21 books for $18. And David at The Warden’s Walk will be pleased to know, all those on the side are Rosemary Sutcliff – even though most of them are paperback, and even though I already have Eagle of the Ninth. Because when it’s a dollar or less and somebody as smart as David raves about them, you’d better grab them. Here’s a close-up.

BookHaul2

Now to the task of removing the library trappings and the ensuing excessive stickiness!

Meanwhile, you can read some other fiction absolutely free:

DJMatticus

ARNeal

WritingSprint and another

Elmo

Craig

LLD

The Rules

There are none. Read the prompts, get inspired, write something. No word count minimum or maximum. You don’t have to include the exact prompt in your piece, and you can interpret the prompt(s) any way you like.

OR

No really; I need rules!

Okay; write 200-500 words on the prompt of your choice. You may either use the prompt as the title of your piece or work it into the body of your piece. You must complete it before 6 pm CST on the Monday following this post.

The Prompts:

THE MAN IN THE RADIO

RUN FROM THE WORDS

SILENT PAGES

ADAM BOMB

 HIGH IN FIBER

Want to share your Inspiration Monday piece? Post it on your blog and link back to today’s post; I’ll include a link to your piece in the next Inspiration Monday post. No blog? Email your piece to me at bekindrewrite (at) yahoo (dot) com. (I do reserve the right to NOT link to a piece as stated in my Link Discretion Policy.)

Plus, get the InMon badge for your site here.

Happy writing!

How to Fix Your Sagging Plot

Does your story sag in the middle? Do you feel like you’re plowing through boring scenes just to get to the cool ones? Is your protagonist wandering around aimlessly, looking for the climax?

It’s not enough to have all the major events written down in a neat little list – what you need is structure.

An important distinction

Structure is not formula:

  • Formula is like having the same floorplan over and over.
  • Structure is a floor, walls and roof: you can organize them into whatever floorplan you like – but you can’t build a house without them.

Structure is the ebb and flow of tension and discovery that keeps you readers moving through the story. Structure helps you:

  • Keep the pace up
  • Know what’s important and what isn’t
  • Understand when to start and end the story

The following is a time-honored plot structure endorsed by Syd Field and others.

Structure of a Plot

setup, problem, confrontation, setback/decision, resolution

Photo by total13

Setup

In Act I, or the beginning of your story, you introduce the hero. We learn what he cares about and decide if we like him. This part should be relatively short. Keep the backstory to a minimum: it’s only an introduction.

Examples:

  • Bilbo celebrates his eleventy-first birthday
  • Luke buys some used droids
  • Passepartout starts a new job under Fogg

Problem

Within the first or second chapters, introduce the problem. Syd Field calls this Plot Point 1, which hooks the action and spins it into the next act. James Scott Bell calls it the first “pillar” of your plot “bridge,” or the first Door of No Return. This usually happens in a single scene – maybe at the end of the same scene you used to introduce the character.

Examples:

  • Frodo learns an evil something is coming to the Shire in search of Bilbo’s old Ring.
  • Luke’s aunt and uncle are killed, and he’s got the droids their killers are looking for.
  • Passepartout’s new boss bets some friends he can circumnavigate the globe in 80 days. Starting tonight.

Confrontation

Now we’re in the middle, or Act II of your story. This is the biggest chunk of the book. Your hero will face a series of obstacles, each more difficult than the last. As he overcomes each obstacle, the plot thickens, the tension increases, and the stakes are raised. In other words, new developments reveal that the hero stands to lose (or gain) even more than he originally thought.

Your hero should be getting more and more desperate; the pace should get quicker and quicker.

Examples:

  • Frodo and his friends face wraiths, orcs, trolls, giant spiders, etc.
  • Luke saves a princess, escapes the Death Star, loses his mentor, etc.
  • Passepartout and co. fight through bad weather, savage attacks, etc.

Setback/Discovery

Plot Point 2, the second pillar of the bridge, or the second Door of No Return. This is the worst setback and/or the major discovery that signals the climax. Your hero is now either armed with new information that leads him to a final showdown with the villain, or has been brought to his lowest point – he is betrayed, or he’s been shot, or the girl he’s been trying to save all this time gets killed, etc. The villain believes he has won.

It’s at this point the hero must make a decision. The ultimate decision.

Examples:

  • Setback: an army of orcs between Frodo and MountDoom. They disguise themselves as orcs. Decision: Frodo decides whether to keep or destroy the Ring.
  • Setback: Luke, now a rookie rebel fighter, is the last armed fighter left against the giant space station. Decision: Whether to trust the computer or the Force.
  • Setback: After being detained, Fogg and co. believe the game is lost. Decision: Fogg decides to marry the girl he loves.

Resolution

The End, or Act III. The climax and conclusion are the results of his ultimate decision. Does he win or lose, learn a lesson, live to fight another day?

Examples:

  • We find out who survived, who married whom, and who leaves Middle Earth.
  • We find out if Luke succeeds or fails and what that means for the Rebel Alliance.
  • Passepartout sets out to find a priest to do the marrying, when he discovers they arrived in town a day early – and we find out if they make it in time.

So there you have it. Just follow the bridge to get safely across to happily ever after.