This means you

Everybody, especially those new to this blog, I strongly recommend finding time here and there to go back and read all the non-InMon posts, to benefit from the advice and to get a better understanding of what our purpose is here. There are rules and there are suggestions. Advice does not have to be taken (but usually should be), and rules should never be broken until you know and fully understand them.  Without understanding the rules breaking them is just bad writing. Once you know the reason behind the rules, break them when appropriate, and never let suggestions write your stuff for you. If you take all advice completely literal, you will lose your style and your voice. Write what you write, but be smart about it, and make it the best possible.

Read the whole blog, it does a body (of work) good.

How to write with body language

55% of human communication is nonverbal.

Which means more than half of what you say is nothing but expressions and gestures and eye contact.

Which means if you use nothing but “he said” and “she replied” to tag dialogue, your readers are missing half the message. Besides which, body language is also an effective way to show tone without “telling” tone. For instance:

“Hmmm,” she said unhappily/happily/thoughtfully. [All “telling”]

“Hmmm,” she frowned.

“Hmmm,” she smiled.

“Hmmm,” she tapped her lips with one finger.

We have the additional benefit of cutting the dialogue tag, “said,” which can get annoying in large doses.

Of course, use of body language isn’t limited to dialogue. You can say a lot without actually saying anything (useful if, like me, you are terrible at writing dialogue):

He hunched in his chair, elbows on knees, head in hands.

She bit the corner of her bottom lip, her gaze darting left and right.

He frowned, stroking his chin.

She leaned back and folded her arms, tapping her fingers against her skin.

He cocked one eyebrow, smirking.

There are countless other gestures to illustrate countless other emotions. Here are a few (in totally random order). Got any other good ones? Leave ‘em in the comments!

Grin

Smirk

Grimace

Furrow brow

Wrinkle forehead

Slap forehead

Twiddle thumbs

Twitch/tick

Bite nail

Suck thumb

Pick nose

Run hand through hair

Twirl hair

Skip

Amble

Stroll

Lumber

Swagger

Shuffle

Bob head

Flare nostrils

Wink

Nod

Shake head

Hug self/knees

Rub arms

Shudder

Shiver

Tremble

Scratch

Rub eye

Slouch

Tilt head to one side

Meet gaze

Look in the eye

Gaze slide to floor

Blink

Start

Shrug

Sigh

Sniff

Swallow

Wrinkle nose

Squint

Shift weight

Cross legs

Eyes glitter

Eyes glint

Clap

Snap fingers

Thread fingers

Fold hands

Nose in air

Look down nose

Look sideways

Peer

Glance

Stare

Glare

Purse lips

Push hair out of eyes

Inspiration Monday XIV

Happy Memorial Day, whether or not you are American – and thanks to all the folks who risk (and give up) their lives so that we can post whatever the heck we want on blogs and stuff. It’s a heavy price, and I hope I don’t have to remind the Rewriters not to waste this opportunity to speak their minds in the very best way they know how.

In other news, with my three-day weekend, I made some excellent progress with the Super Secret Project!

And all the InMon submissions continue to impress me. There are a few new faces this week; please be sure to welcome them!

pianolover1114

Patti

Bayley

Marantha

Mike and two

Billie Jo

Jinx

Scribbla

Kay

Chessie

Hugmore

Carl

Char

Mike per Char

***EDIT: So, apparently it’s week 14. Not week 19. I could make the excuse that the V and the X are so close to each other on the keyboard, or that I preferred the symmetry of XIX, but I’d be lying. I’ve changed the post title, but the URL/link is permanently XIX, so be sure to link correctly. Thanks for the heads up, Patti!

****EDIT: please also welcome Lady Nimue and check out Barb’s piece

The Rules

There are none. Read the prompts, get inspired, write something. No word count minimum or maximum. You don’t have to include the exact prompt in your piece, and you can interpret the prompt(s) any way you like.

OR

No really; I need rules!

Okay; write 200-500 words on the prompt of your choice. You may either use the prompt as the title of your piece or work it into the body of your piece. You must complete it before6 pm CSTon the Monday following this post.

The Prompts:

The crime of forgetting *

Wait for my signal

Sideways in time

Broken heart. Bloody hammer.

Overexposed

Want to share your Inspiration Monday piece? Post it on your blog and link back to today’s post; I’ll include a link to your piece in the next Inspiration Monday post. No blog? Email your piece to me at stephanie (at) balcomagency (dot) com.

Plus, get the InMon badge for your site here.

Happy writing!

*Today’s first prompt brought to you by Jinx. Thanks, girl!

A Defense of Happy Endings

Let’s get down to it. What’s better: a happy ending or a sad one – and why?

First, let’s define “happy” and “sad” endings. It’s not as simple as whether or not the hero survives; Shakespeare’s Hamlet and Lewis’s The Last Battle both end with everyone dying, but one leaves you in despair and the other brings you incredible joy.

I think it’s more accurately measured by the presence of two things: meaning and victory. Compare Sydney Carton’s death in A Tale of Two Cities to any Nicholas Sparks book. Everything that happens in Two Cities leads up to, even contributes to, Carton’s death, and he dies nobly (meaningfully), to save a friend (victory). Whereas Sparks’s M.O. is for two people to find love, only to lose it again (defeat) when one of them unexpectedly (senselessly) dies in a car wreck, in a shipwreck, or of Leukemia. We cry an awful lot at Sparks (at least the movies; I never deemed the books worthy of my time) as well as at Dickens, but one leaves us sad and the other, satisfied. Dickens’s ending is meaningful; Sparks’s is a parlor trick.

Sparksstirs up emotion, sure – but tears are cheap. It’s easy to get our characters into scrapes, to beat them bloody, to take away everything they care about; it’s harder to get them out of trouble, heal them, and give them their hearts’ desires while making it meaningful and believable instead of nauseatingly cheesy. But the fact is – and Dickens proves it – it can be done.

Happy endings sometimes seem cheesy because they are unrealistically glossy – like nothing bad ever happened again. These are either simplified to reinforce the style of the story (perhaps for younger readers), or are just badly written. But some people lump all happy endings into the same “Unrealistic” category. They call themselves realists, preferring books that speak the “hard truth.” They scorn stories that end with weddings, saying the marriage would never last in real life. But that’s not realism. Realism is acknowledging that some marriages end in divorce; cynicism is assuming they all do.

And the funny thing about cynicism? It’s a self-fulfilling prophecy. How much of what’s wrong in real life, failed marriages included, is that way just because people have given up fighting? If you write about a “realistic” failed marriage, what good is it? You’re not revealing anything your readers haven’t seen already. You’re only reinforcing hopelessness. Why not write about a struggling couple that fights to save their marriage? You can empower your readers to hope and to fight without being cheesy or unrealistic.

Don’t be silly, you might say; everyone knows it’s just a story. Readers don’t take it to heart.

That’s a lie. Even the cynical marketing world I work in acknowledges that the story is one of the most powerful forces on earth. A well-crafted story doesn’t just claim that a bad situation can turn out well—it shows how a bad situation can turn out well. Stories can make people see new possibilities. Stories can change people’s minds. Stories can inspire or discourage.

What will your stories do?

Inspiration Monday XIII

Gorgeous work as usual this…last…this past week (I never quite know how to say that). The most popular prompt was “paper towns,” so I thought I’d introduce you all to the author (I don’t know him personally, but I like to pretend). You can watch him read a part of the book here. And don’t forget to read your fellow Rewriters!

Kay

Drew

Billie Jo

Scribbla

Mike

Char

Carl

Bayley and two

Jinx (guest post)

Barb

EDIT: Mark was late but his piece is brilliant, and I had to add it.

The Rules

There are none. Read the prompts, get inspired, write something. No word count minimum or maximum. You don’t have to include the exact prompt in your piece, and you can interpret the prompt(s) any way you like.

OR

No really; I need rules!

Okay; write 200-500 words on the prompt of your choice. You may either use the prompt as the title of your piece or work it into the body of your piece. You must complete it before6 pm CSTon the Monday following this post.

The Prompts:

I used to have dreams*

The stink of clean*

Disposable men*

I never breathed

How to make a mask

 

If you want to share your Inspiration Monday piece, post it on your blog and link back to today’s post; I’ll include a link to your piece in the next Inspiration Monday post. No blog? Email your piece to me at stephanie (at) balcomagency (dot) com.

Happy writing! And DFTBA.

Today’s prompts brought to you by Rewriter Jinx, contributor TragicPete, and the band Chevelle, respectively.