Image from Dark Uncle
You may be a grammatical black belt, leaping big vocabulary words in a single bound. But take care: you could still be making elementary mistakes that’ll leave your readers cringing, eye-rolling, and yes, even face-palming.
Does your story sag in the middle? Do you feel like you’re plowing through boring scenes just to get to the cool ones? Is your protagonist wandering around aimlessly, looking for the climax?
It’s not enough to have all the major events written down in a neat little list – what you need is structure.
I worked late tonight and lacked the brain power to finish this week’s post. But I won’t leave you empty-handed! A commenter, Chris, recently shared this video on my post about George Lucas. Michael of BelatedMedia narrates his version of The Phantom Menace, which, frankly, is better than what we actually got.
We love to deride them. The Stephanie Meyers-es and Dean Koontz-es of the world, who, despite lacking unique voices, characters, and descriptions, not to mention decent editing, are rolling in big piles of cash while the rest of us—real writers—are still flipping burgers at the Happy Clown. Indignant, we make fun of poorly-worded sentences, point out every typo with visceral satisfaction, and mock-gag at cheesy dialogue. It is the sheer magnitude of their success that makes them at once a mystery and an easy target.