Writer’s block

I started writing a post about writer’s block, but it wasn’t working. I know that sounds like a gag opening, but I’m serious.

It was going to list the types of writer’s block and some tips for conquering it. I wrote the whole post but all I was saying was “keep working” or “take a break.” So instead I’m just going to talk about my personal experience with writer’s block, and how I deal with it.

Since most of my writing occurs in a work environment, so does most of my writer’s block, usually when I’m trying to write a headline for an ad or billboard. I call this “hitting my head against the keyboard.” I feel guilty, because I’m being paid – by the hour, from the client’s perspective – to come up with something clever, and here I’ve spent two, three, four hours staring at a blank screen with nothing good to show for it. I begin to panic, thinking I’ll have to stay at work until seven or eight, so I can still put in eight hours without counting the three I wasted. But how far have I gotten? I open an email to my boss and paste in my work from the last few hours. For some reason, it’s easier to think away from the Word doc I’ve been working on. I weed out the worst lines first. There might be two or three half-decent lines left, which I scrunch together and stare at. If I had just a couple more good lines, that would be a decent list of options. I take a few more minutes to think about it. I type whatever comes into my head. Then, most of the time, something good comes to me. It may be the best line of the lot – or not. Either way, I now have a decent list to send to my boss to pick favorites, tweak, or make suggestions.

It’s like playing the kid’s hiding game, Hot and Cold; to find out where the thing is, you have to move. You can’t be afraid of moving in the wrong direction, because even going from chilly to freezing helps you figure out where it is.

You have to write something to know what you are not writing to know what you are writing.

First, you just dump something out. Read it – no, that’s not it. Dump again. You kind of like that part. But the rest is rubbish. Dump again, building around the good part. No, never mind; you were really aiming for something else. Dump again. Eventually, you’ll eke out something decent. You’ll spend the next week editing, and a few months later, you will completely rewrite it again and that will be The One. With a few minor tweaks, of course.

It’s all part of the process.

Inspiration Monday IV

Genius abounded on last week’s Inpiration Monday pieces; be sure to check them out!

Screen Scribbla – I’m Not Crazy

Jinx Writings – Crazy

Rashmikamath – Worse than Death

Mike The Last Book in the Universe and I’m Not Crazy

Indigo Spider – I’m Not Crazy/The Stranger on the Subway

Find an OutletWorse than Death

Did I miss anybody? Shoot me a comment!

The Rules

There are none. Read the prompts, get inspired, write something. No word count minimum or maximum. You don’t have to include the exact prompt in your piece, and you can interpret the prompt(s) any way you like.

OR

No really; I need rules!

Okay; write 200-500 words on the prompt of your choice. You may either use the prompt as the title of your piece or work it into the body of your piece. You must complete it before 6 pm CST on the Monday following this post.

 

The Prompts:

Teardrop tattoo*

His final words were

He saved us all. Nobody noticed.

The scientist laughed

I wish I hadn’t read her diary

 

If you want to share your Inspiration Monday piece, post it on your blog and link back to today’s post; I’ll include a link to your piece in the next Inspiration Monday post.

Happy writing!

*Teardrop tattoos at the corners of the eyes can mean the wearer has killed someone, has done time in prison, or has simply lost someone close to them. Ultimately, the tattoo represents tears that can’t be cried, due to a hardened heart. Feel free, of course, to interpret the phrase in a completely different way, if you are so inclined.

Five lame excuses not to write

How do you know you’re a writer? Simple. Writers write. They don’t spit out Chapter One on an ambitious weekend and then tell everyone they are writing a book even though they never pick it up again. Writing is all about BIC: butt in chair. Without regular, healthy doses of BIC, you’re not a writer.

Let’s discuss the unacceptable excuses not to write.

I don’t have time.

There are evenings, weekends, and lunch breaks. There’s riding the subway to work. Spend Sundays with family and friends, but make sure your loved ones know Saturdays are off-limits; writing days. Make sacrifices. If you don’t, you’re not a writer.

I don’t have a good writing environment.

You need silence. You need noise. You need a laptop. You need several hours to really get into it. Fill in the blank for whatever you “need” in order to write, but it’s all baloney sandwiches. All you need is pen and paper. Actually, if you were locked in a South American prison without pen and paper, you could probably still find something with which to prick your finger, and you’d have lots of blank wall space to fill up with blood letters. Bottom line, if you’re not writing before you buy an iPad, you’re not going to write after you buy one, either.

I’m not in the right mood.

I’ve got news for you: real writers are almost never in the mood to write. When sitting down to write, I’m accosted with a sudden desire to read a blog post, click on a YouTube video, or watch paint dry, but I must strive past this. It’s like the first swim of the summer. You don’t want to get in the pool – you know it’s going to be too cold; you’d rather just lie out in the sun. But once you swallow your inhibitions and lower yourself in completely, it feels amazing.

I have writer’s block.

Be honest – you sat in front of the computer for fifteen minutes, nothing came out, and now you think you have license to watch the Iron Chef marathon. If you really tried for a couple of hours and still can’t get anything out, try writing something else for a while. Write a scene from later on in the book, work on plot, or consider alternate first sentences. Just get something on paper. More on writer’s block in a later post.

I’m too tired.

Next to not having time, this is my biggest bane. I write 40-50 hours a week at my paying job, maintain this blog in the evenings, and read whenever I can. You probably have a similar schedule – or worse. It takes a lot of energy. But writing or not writing is a matter of choosing between the lesser of two evils, because no matter how tired I am, if I don’t write, I will snap at people all weekend and shrivel up like a raisin until the following Saturday.

How to trick your readers into paying attention

The Book Thief, by Marcus Zusak, is one of the greatest books I have ever read. This was a big surprise, because it was published in 2005 by a thirty-something author, and I’m not often impressed by modern literature. But this book belongs among the classics.

What drives me nuts is that even though most people who read it love it, few seem to have a clue why – and thus cannot fully appreciate its awesomeness. Basically, it is a perfect example of one of the finer aspects of Show, Don’t Tell: trick your readers into paying attention.

The classic authors, the ones who evolved storytelling from folk art into fine art, found new ways to describe everyday things. They looked at the world with poet’s eyes and then wrote it in a way that hit their readers in the gut. New authors, however, generally just copy the old ones, and what was once creative has now become cliché.

Here’s an example:

Snow blanketed the ground like a great white sheet. Next to the train line, there was a trail of deep footprints. Trees were coated in ice.

There is nothing wrong with this. The imagery is really good – at least, it was the first time some writer looked at snow and said “hmm, that looks like a blanket.” But how many times have you seen “snow blanketed the ground/mountains/landscape” in a book? Chances are, you’ve seen it so many times, that you glaze over it. Consider instead Zusak’s version:

It felt as though the whole globe was dressed in snow. Like it had pulled it on, the way you pull on a sweater. Next to the train line, footprints were sunken to their shins. Trees wore blankets of ice.

Notice he uses the same concept as in the first excerpt – he even uses the word “blanket” – but he does it in a new way. He personalizes the simile (“the way you would pull on a sweater”), and compares snow with clothing in an active way that gives inanimate objects a human quality. The globe pulled on a sweater. Footprints sunken to their shins. Trees wore blankets.

The plane was still spewing smoke. A black haze poured from the engines. When it crashed, it had made three deep gashes in the earth, and its wings had been ripped from its body.

Again, not bad. Terms like spewing, poured, gashes, and ripped from its body make it interesting. But all that has been done before. Let’s try Zusak:

The plane was still coughing. Smoke was leaking from both its lungs. When it crashed, three deep gashes were made in the earth. Its wings were now sawn-off arms. No more flapping. Not for this metallic little bird.

Notice again the human qualities he gives the plane, even though he goes on to compare it with a bird. Coughing. Lungs. Arms. It’s so strange, you have to slow down to decipher it; you have to pay attention. Which, in turn, makes you feel every word.

Writing this way is hard. You can’t just pour it out – you have to think about it. But it can mean the difference between great writing, and okay writing. I read somewhere that Zusak tried to put one great thing on every page. My advice is to do the same. Also, read The Book Thief.

Inspiration Monday III

Inspiration Monday has turned out to be even more fun than I thought; the participants have done an incredible job. I am consistently surprised and impressed by their unique interpretations. You should definitely go check them out:

Jinx Writings

Screen Scribbla

Find an Outlet

Did I miss any participants? Let me know in the comments!

The Rules

There are none. Read the prompts, get inspired, write something. No word count minimum or maximum. You don’t have to include the exact prompt in your piece, and you can interpret the prompt(s) any way you like.

OR

No really; I need rules!

Okay; write 200-500 words on the prompt of your choice. You may either use the prompt as the title of your piece or work it into the body of your piece. You must complete it before 6 pm CST on the Monday following this post.

 

The Prompts:

The last book in the universe*

The stranger on the subway

Worse than death

Why children fear the dark

I’m not crazy

 

If you want to share your Inspiration Monday piece, post it on your blog and link back to today’s post; I’ll include a link to your piece in the next Inspiration Monday post.

Happy writing!

*Today’s first prompt brought to you by The Last Book in the Universe, by Rodman Philbrick.