Tag: fantasy

10 Cookbooks Inspired by Children’s Fantasy Classics

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On a recent work-related web search, I stumbled across one of Roald Dahl’s cookbooks.

Guys. Roald Dahl’s got cookbooks.

Sure, you occasionally hear about a recipe collection inspired by the latest fantasy franchise. But I think there’s something extra special in the idea of recipes from the books we grew up reading. The ones that made our little child-mouths water.

So at the risk of looking like Buzzfeed, I took it upon myself to search high and low for a whole list of cookbooks inspired by classic children’s fantasy! Take a step into the literary kitchen…lit kitchen…litchen?…and see if you find a cookbook your inner child can’t resist.

 

cover of Roald Dahl's Revolting Recipes

 

Roald Dahl’s Revolting Recipes

The one that started it all. You’ll find recipes from Dahl’s most loved books, including, of course Charlie and the Chocolate Factory (lickable wallpaper!). There’s also a sequel or two.

 

 

 

cover of The Redwall Cookbook

 

The Redwall Cookbook

Admittedly, I’ve only read one Redwall book (though I now own two). But you don’t get through very many pages before being inundated with homey, comfort-food-filled feasts. Deeper-than-ever pie? Of course. Authored by Brian Jacques, so you know it’s legit.

 

 

cover of The Unofficial Harry Potter Cookbook

 

The Unofficial Harry Potter Cookbook

While I never got in to Harry Potter, and it’s maybe a tad “new” to be on the list, I think it’s safe to say it has earned its place among the classics. This cookbook may be unofficial, but it’s earned enough attention to make the list.

 

 

cover of Winnie-the-Pooh's Picnic Cookbook

 

Winnie-the-Pooh’s Picnic Cookbook

There seem to be about a million Winnie the Pooh cookbooks, but two actually by A.A. Milne (it says “inspired by” on the cover, but he is listed as the author). This one’s on picnics and there’s another for teatime! Plenty of recipes you’ll inhale like a heffalump.

 

cover of The Official Narnia Cookbook

 

The Official Narnia Cookbook

Though in a pinch, you can probably find some Turkish Delight at your local Indian market (it tastes like Christmas!), I imagine you’ll enjoy cooking up your own with this official Narnia cookbook, co-authored by C.S. Lewis’s stepson, Douglas Gresham.

 

 

cover of The Wind in the Willows Country Cookbook

 

The Wind in the Willows Country Cookbook

Another book that made a big deal of food, so it ought to have a cookbook – and it does! One would hope that a flip though it is just like a rummage through Rat’s picnic basket. Kenneth Grahame co-authored it (or is at least credited). Just look at those illustrations!

 

 

cover of Everything Alice

 

Everything Alice: The Wonderland Book of Makes and Bakes

I found several Alice-related cookbooks, but this one had the nicest cover and sounded the coolest – plus, it’s got crafts as well as recipes.

 

 

 

cover of the Wonderful Wizard of Oz Cookbook

 

The Wonderful Wizard of Oz Cookbook

Again, there were a few choices. This was the only one that looked to be inspired by the books (not just the movie). And look at that gorgeous cover!

 

 

cover of Serve It Forth

 

Serve It Forth

I was slightly disappointed to find no Pern cookbook (klah, anyone?), but Anne McCaffrey has compiled two books full of recipes from celebrated sci-fi authors. Larry Niven and Mercedes Lackey contributed to this one. You should also check out Cooking out of This World.

 

 

cover of Medium Rare and Back Again

 

Medium Rare and Back Again: A Tolkien Cookbook

I found a handful of Middle Earth cookbooks, but they looked suspiciously unofficial and not exactly faithful. However, there’s one as yet unpublished that looks very promising. Keep an eye out for it!

 

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Know of any good ones I’m missing? Speak up!

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87 Authors of the Sci-Fi/Fantasy Golden Age

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How well do you know your genre?

I’m on a mission to become better acquainted with mine.

If you’ve ever read Battlefield Earth, you’ve seen the mega list of names to which Hubbard dedicated the book – the Golden Age authors of the magazines from the ’30s and ’40s, such as Amazing Stories and John W. Campbell Jr.’s Astounding Science Fiction.

Though hardly the beginning of the genre, the Golden Age was that sweet spot, when it was just beginning to bud, to find its voice – before the genre grew too big for one person to read in a lifetime.

Though I’ve read a lot of science fiction, I’ve only read seven of these authors. Seven!

I want a better grasp on the classics than that. I’m starting with Before the Golden Age: A Science Fiction Anthology of the 1930s, compiled by Isaac Asimov. These are his favorite stories from when he was growing up – ones that influenced his own journey to writerdom. Some of these authors aren’t on Hubbard’s list, but of course I’m going to read them anyway.

How have you studied your genre? What authors most influenced your writing style? Tell me in the comments!

And if sci-fi and fantasy are your game, take a gander at this infographic. Hubbard’s full list is in text below, so you can copy and paste anywhere (I made myself a little Evernote checklist).

infographic listing 87 authors of the Golden Age of Science Fiction and Fantasy

Click and it can be yours.

And the text version:

Science Fiction & Fantasy Golden Age Authors

He mentions these first:
Robert A. Heinlein

A.E. van Vogt

John W. Campbell, Jr.

And then all these:

Forrest J. Ackerman

Poul Anderson

Isaac Asimov

Harry Bates

Eando Bender

Alfred Bester

James Blish

Robert Bloch

Nelson Bond

Anthony Boucher

Leigh Brackett

Ray Bradbury

Fredric Brown

Arthur J. Burks

Edgar Rice Burroughs

Karel Capek

E.J. Carnell

Cleve Cartmill

Arthur C. Clarke

Hal Clement

Groff Conklin

Ray Cummings

L. Sprague de Camp

Lester del Rey

August Derleth

Ralph Milne Farley

Hugo Gernspack

Mary Gnaedinger

H.L. Gold

Edmond Hamilton

Robert E. Howard

E. Mayne Hull

Aldous Huxley

Malcolm Jameson

David H. Keller

Otis Adelbert Kline

C.M. Kornbluth

Henry Kuttner

Fritz Leiber

Murray Leinster

Willy Ley

Frank Belknap Long

H.P. Lovecraft

R.W. Lowndes

J. Francis McComas

Laurence Manning

Leo Margulies

Judith Merril

Sam Merwin, Jr.

P. Shuyler Miller

C.L. “Northwest Smith” Moore

Alden H. Norton

George Orwell

Raymond A. Palmer

Frederik Pohl

Fletcher Pratt

E. Hoffman Price

Ed Earl Repp

Ross Rocklynne

Eric Frank Russell

Nathan Schachner

Idris Seabright (Margaret St. Clair)

Clifford D. Simak

C.A. Smith

E.E. “Doc” Smith

Olaf Stapeldon

Theodore Sturgeon

John Taine

William F. Temple

F. Orlin Tremain

Wilson Tucker

Jack Vance

Donald Wandrei

Stanley G. Weinbaum

Manly Wade Wellman

H.G. Wells

Jack Williamson

Russell Winderbotham

Donald A. Wollheim

Farnsworth Wright

S. Fowler Wright

Philip Wylie

John Wyndham

Arthur Leo Zagat

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5 Ways to Build a Detailed World Without Boring Your Readers

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Photo by InterdimensionalGuardians. Interesting.

Photo by InterdimensionalGuardians. Interesting.

It’s the year 2053. Earth has made first contact with an extraterrestrial race; socialist aliens who reproduce asexually. You, now a literary giant, are tasked with adapting a sample of Earth literature for the aliens to enjoy. The book is Pride and Prejudice.

You open your well-worn copy to that famous first sentence, It is a truth universally acknowledged that a single man in possession of a large fortune must be in want of a wife…and you break down in tears, realizing this tale of class and marriage will mean absolutely nothing to your audience.

Universal truth, your foot!

Yet this is the challenge science fiction and fantasy writers face every day.

We create whole new worlds to house our stories, then find ourselves struggling to keep up the pace while stopping the action every few paragraphs for a history lesson.

But we don’t have to! With a few tricks of Show, Don’t Tell, we can show our readers a lot about our world without slipping into exposition. The close-up details of our heroes’ personal lives can reveal the big picture of the world they live in.

Like so:

1. Your protagonist’s job

…and the jobs of the people he knows say a lot about your world. If they’re all farmers, your readers see an agrarian community. Make him a moisture farmer in a desert, shopping for robots, and he’s Luke Skywalker. Or make him a starship repairman or a dragon breeder. Whatever the occupation, in one conversation with buddies at the pub about how hard work has been this week and what the government is up to, you can cover:

  • The major industries of your world
  • Who controls them / has the power
  • The biggest problems with society

More useful tools along these lines:

  • Living quarters (cave, tent, cryotube, barracks, fortress?)
  • School/studies (from a blacksmith’s apprenticeship to a mind control science project)
  • News reports (from the town crier announcing the war to a psychic message about falling nanobot stock prices)

2. Your protagonist’s relationships

How was he raised? Does he live with the wife and kids? The wives and kid? Seven generations of his family? Coworkers, classmates, cellmates, refugees? No one at all? This all reveals:

  • The society in your world
  • The structure of the family
  • Barriers between the classes

3. Your protagonist’s traditions

Does he pray before he eats? Does he have to slay a beast to be acknowledged a man? When he attends a funeral, is he watching a body buried, burned, scattered, eaten, or recycled? Do they even have funerals? This reveals:

  • Religion – who they worship, where they came from, where they go when they die
  • History – holidays can be used to reenact important points in history

Traditions can include:

  • Daily rituals: getting up, going to sleep, eating
  • Life events: birth, coming-of-age, marriage, parenthood, funerals
  • Holidays: festivals and fasts

*Pro tip: A liturgy, specifically words sung or recited at any of these events, can be an especially handy way to sneak in detail.

4. Your protagonist’s speech

Language, slang, shop talk, and industry buzzwords are all great tools to both plant clues and add personality to your world. For instance, your can make up your own:

  • Terms of endearment or insult (honey, jerk)
  • Titles (husband, wife, king, priest)
  • Curse words (…)
  • Greetings (hello, hi, good day, hey y’all, yo)

5. Use the appendices, Luke!

Your readers will usually be able to interpret casual references to foreign concepts by the context. But to include more detail, you can always add appendices at the back of the book. Tolkien and Herbert, renowned for their world-building in Lord of the Rings and Dune, both did it. Use footnotes to lead readers to things like:

  • Glossary of terms
  • Translations of foreign words
  • Maps
  • Summary of religion and history

What are some of your ideas for showing your world to readers? Tell me in the comments!

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Thanks to Sky for suggesting this topic! If you have a writing question you want answered, leave it in the Suggestion Box!

little green men

Great show-don’t-tell world-building tips for sci-fi/fantasy writers.

 

Why children need to believe in Santa Claus

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I met the guy once. He actually had a reindeer driver's license.

In 1897, a little girl wrote to the New York Sun asking if there was a Santa Claus. This was the reply.  (Go ahead and read it. I’ll wait here with a box of tissues.)

Some parents will no doubt think this is wrong–that telling their children stories about Santa Claus is lying. They’re afraid once their children find out the truth, they’ll have broken trust. But I’ve never actually seen this happen in real life. Kids are smart. More often, as they grow up, they start to better understand the difference between fairy tales and true stories.  They get that one is for fun, and one is for real. It’s a non-issue.

No, the parents’ objections are all part of the ongoing war between fiction and non-fiction—the realists’ disdain for stories about people who never lived and events that never happened. But I’m not here to argue that fiction is safe to give your children.

I’m here to tell you it’s necessary to humanity.

Non-fiction is, of course, vastly important. But there are things it cannot do. Non-fiction is what was, or what is. Fiction is what if.

Fiction is the genre of ideas. Of things that don’t exist yet. Fiction is the food of inventors. You think cell phones came out of the blue? Ha! Heinlein was writing about them in the 60s!

But it’s not just the what if. An idea by itself rarely sticks to the human mind for long. It needs the vehicle of a story.

A real-life (non-fiction!) example.

Back in the 30s or 40s there was a magazine called Astounding Science Fiction. Professors or scientists would write pieces based on technical ideas they had, and editor John W. Campbell, Jr. would doctor them up a bit and publish them. But the articles were all about machines—not people. They were fiction only in that they were speculative; they weren’t really stories.

And they weren’t selling.

Stories are the packages that make ideas compelling to the average Joe, who doesn’t know a thing about quantum physics and whatnot. So the Street and Smith publishing company called in top adventure writers like L. Ron Hubbard and Arthur J. Burks to save the magazine.

Hubbard talks about it in the introduction of Battlefield Earth:

“At the beginning of that time, science fiction was regarded as a sort of awful stepchild in the world of literature. But worse than that, science itself was not getting the attention or the grants or the government expenditures it should have received. There has to be a lot of public interest and demand before politicians shell out the funding necessary to get a subject whizzing.Campbell’s crew of writers were pretty stellar. They included very top-liner names. They improved the literary quality of the genre. And they began the boom of its broader popularity.

…In 1945 I attended a meeting of old scientist and science fiction friends. The meeting was at the home of my dear friend, the incomparable Bob Heinlein. And do you know what was their agenda? How to get man into space fast enough so that he would be distracted from further wars on Earth. And they were the lads who had the government ear and authority to do it! We are coming close to doing. The scientists got man into space and even had the Russians cooperating for awhile.”

The result?

Okay, so the space program hasn’t achieved world peace, but we did get to the moon. Think about that for a second. We walked on the moon. Because of sci-fi stories. One or two hundred years ago, you can bet the “realists” were scoffing at that idea.

And it’s not only science fiction. Ali Baba’s “open sesame”? Voice-recognition technology!

And really, how could airplanes ever have happened without Icarus?

So don’t scoff at Santa Claus. Don’t be afraid of damaging your children with fantasy. How can they learn to think outside the box if you don’t even let them color outside the lines?

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