The New Kid

Good day to you all. I am Tragic Pete. I will be assisting bekind with this blog, posting various tips, as well as a few of my own pieces of writing on occasion. Below is my most recent random thing; a sample, an introduction.

 

All the bits and pieces of the earth collide, combine, tear apart and reconnect repeatedly and continuously forming new and different bits out of the same elements. New grows old and becomes new again, disintegrate, rearrange, and converge into a bit that was not there before and yet has always been. All that I am in contact with becomes me, and I a part of it. I walk on the floor, I sit in a chair, I wear clothes and yet am naked, for my skin touches the cloth, the cloth touches the chair, the chair touches the floor and the floor is the ground where the earth is kept neatly out of sight. Everything touches everything else, molecules brush up against others that are not the same, but opposites attract and hold on to communicate what could be accomplished if electrons make the effort to produce and reproduce in a consummation of elemental harmony. I am therefore out of my body and into the earth. I am the wood of my desk, I am the circuits in the screen that displays words that are the fruit of my labor, my life’s work, an accomplishment of my brain to my fingers to the keys to the light that beams from the screen to my eyes that tell my brain I have written this, for here it is. I am what I write,what I write is what you read, what you read becomes a part of you. I am you.

The Piece for March

Let's hope I practice what I preach.

Debra challenged me to write from one of my own prompts. The result is heinously longer than I intended. Perhaps it will make up for the lack of a February excerpt.

 

Everyday villain

The worst part is sleeping alone. The bed is too big, and there are one too many pillows. It’s not that I forget she’s gone, but every morning I’m blindsided by the thickness of the empty space. The loudness of it.

I try to ignore it. But even before I open my eyes I can feel the hollow in my gut. I roll until my feet hit the floor, and it feels harder than it used to. The solidness of it seems to make my bones shake and knock against each other as I stumble to the closet. I’m looking for a clean shirt, but all I can see are the empty shoes. She always had too many shoes. New ones littered the floor every season like multicolored dandylions. I used to curse every morning when I tripped on a pair of flip flops or a lonely stiletto on my way to the bathroom, swearing I was going to toss them all to the curb with the junk mail and the coffee grinds. Never did. Never will.

But it’s the empty shoes that wake up the monster, and before I finish getting dressed, my hands are twitching. I find it difficult to button the top button. I’m trembling, like the hollow in my gut is swallowing the rest of me.

I find myself in the kitchen, without remembering having walked there. The monster shoves me along, screaming in my ear. I fight it in the feel of the glass in my fist. I fight it in the moment between reaching into the refrigerator, and touching the orange juice, when my arm rebels and tries to reach for something else. I shake it off, but I’m fighting it again in the sound of pouring. And I fight it in the taste when I swallow, and I feel like I’m losing when there is nothing in my chest but coolness. Above my shoulders, there is not skin and skull and eyes and brain, only swarming, churning, throbbing.

Everything is sharper, harder, colder than it used to be. I remember it soft, and dim, and weightless, when the monster was young and just beginning to grow. Before I decided to fight it. Why did I decide to fight it? Suddenly, I can’t remember. Why should I? It’s never going to give up. It’s never going to get any easier. The shoes will never be filled and there will always be too many pillows. We used to be friends, the monster and I. The keys are in my hand, and I realize that, in a matter of minutes, in a matter of miles, I could exchange those keys for a bottle, for some relief.

But there are footsteps on the linoleum, and I am startled by a figure in pink pajamas. She smiles – she has her mother’s smile. I unconsciously hide the keys in my fist. She shuffles past me to pour herself a bowl of Cheerios, but pauses to kiss me on the cheek.

“It’s a year today,” she says. Nothing else. No I love you or I’m proud of you, but I can see it in her face, that she feels safe. Her old man fights a war for her every day. And every day, she’s the one who wins it. I slip my keys back into my pocket.

January Excerpt: Mardon Troupe

Let's hope I practice what I preach.

It’s the end of the month, so I’m giving you an excerpt of real writing, instead of all that instructional stuff I usually post. This is the beginning of a book I haven’t technically started writing yet, and in the true spirit of BeKindRewrite, it will probably be scrapped and completely rewritten before it sees print. 

The book will be composed entirely of letters from Alexandre Barneby, assistant of Mardon Troupe, to an unidentified lady.

The only thing you really need know about Mardon Troupe, is that he was an impossible man. To answer your last question; I don’t know for sure, for that was before I knew him. But let me put it this way. A butcher once asked me if it was true that Mardon Troupe had really survived a stampede of one hundred head of cattle, while carrying an open jar of antivenin, without spilling a drop. “Of course not,” I replied, “It was two hundred head of cattle.”

So you may assume your story of the dragon was true, but it probably had five heads instead of two. I think Troupe plays the stories down when he tells them.

Yes, Mardon Troupe was impossible. He never tired. We could be hiking through the jungle for three days, nonstop, without food, I on my knees, dragging myself with bloodied fingers, mumbling incoherently, half mad with exhaustion.

“Come on, Barnaby,” he’d say briskly, looking down at me, “life is too short to be wasted on dawdling and cheap wine.”

On the note of alcohol: no one could out-drink him. He could guzzle an entire barrel of rum and then win a tongue-twister contest against a perfectly sober elocution expert. He never even grew tipsy.

Food had the same effect on him. That is, none at all. He went some days eating constantly, alternately snacking and feasting, and never gained a pound. He went other days eating nothing at all, maybe for weeks even, and never lost a pound, never grew faint.

And I never saw him sleep. Oh, there were occasions when he would lean back, legs stretched out, arms folded, hat pulled over his eyes, snoring softly—but that does not mean he was sleeping. I have a strong suspicion that he only pretended to be sleeping to eavesdrop on other people’s conversations. Even when we took lodging for the night, he would stay up reading, or smoking, or watching the stars. I think his mind never slept; I doubt his body did either. If you say that is impossible—you are beginning to understand Mardon Troupe.