Voice Week 2012: Monday

So it begins! I’m experimenting with third person voices this year, using “rained out picnic” as a prompt.

"Today my voice is ______."

In those days, men were corrupt, and rejoiced in their wickedness and reveled in violence. And as they were carousing in the field, there was a loud noise, and the sky grew dark. They were frightened, for they had never heard or seen such things. But some said that the gods were angry, and they began to search among them for a sacrifice. They seized a woman. But she took her knife and thrust it into the side of one of those who was trying to bind her. And the skies opened and water poured down. 

What type of story does this feel like to you? When does it take place? Tell me in the comments!

Check out the Voice Week homepage for links to everyone’s voices.

Voice Week starts Monday – here’s some stuff you need to know

Inspiration Monday Postponed

InMon will be postponed during Voice Week. This means you’ll have two whole weeks to write InMon pieces from the prompts I posted on September 24 before I post more prompts on October 8.

 

Voices Linked Daily

Every day, I’ll visit the blogs of the Voice Writers to read, comment and link to their pieces. I’ll reblog all the pieces on the Voice Week site, so you can go there for links to all of them!

 

…But Maybe Not Thursday

Uh. Yeah. My sister is getting married on Thursday, so I’ll be a little busy ALL DAY. And I’m not sure about Wednesday, either. If I’m lucky, I’ll get to read and link voices late that day, but it’ll more likely be Friday.

I Won’t Notice If You’re Late

We live in several different time zones. If you miss a midnight deadline, I will assume you’re on time in your time zone. In fact, I’ll probably still be linking well into Saturday. So don’t worry about it; just post when you can!

 

But what if…

Not sure you wrote exactly what I’m looking for? That’s okay. Last year, everyone interpreted the challenge a little differently, and it turned out awesome! The important thing is that we all learn from each other. I guarantee we will.

If You Aren’t Writing for Voice Week

We still need you! Visit the Voice Writers, read and comment on their voices!

Questions?

Ask me in the comments or at bekindrewrite (at) yahoo.com

 –

I’m confused.

Check out the rules

See answers to frequently asked questions

 

I need examples. How did Voice Week go last year?

Read last year’s voices

Read my summary post

 

I can’t wait to get started!

Still time to join in! Comment below, and…

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Short Fiction: Fraternization

A little piece of fiction that’s been hanging in my head for awhile. It’s too long and too schmaltzy, but I don’t have time to shorten it – and we’ll just chalk it up to the self-indulgence of the hopeless romantic, eh?  Constructive criticism welcome.

Photo by Chris Costes

It’s the first day of my dream job. Everything is perfect. I sit at my mahogany desk and try not to cry.

I didn’t even apply for this job. The offer came out of the blue, on the heels of seven other unsolicited offers. Higher salaries, better benefits, but I turned them all down. I didn’t want to leave him.

But I couldn’t turn down this one.

The worst part was telling him. I was shaking that morning as I rode the elevator to the fourth floor. No amount of daisy-petal pulling could compare to this moment.

I was finally going to find out if he loved me.

I imagined how it would go – you know, best case scenario fairy-tale ending.

I’ve received an offer for the editor position at the Times, I’d say, You know how much I love working here, but this is the job I’ve dreamed about for as long as—are you alright?

 I’d interrupt myself at this point because I’d notice how crestfallen he had become.

Christy… he’d stammer, I just…don’t think I’m ready to lose you. I know I’ve never told you how I felt—but I’ve always loved you.

Of course that wouldn’t happen. But I was hoping at least for a hint of disappointment. Something that would tell me he cared. Well, I knew he cared. He cared about everyone—treated us all like royalty Monday through Friday for the two years I’d worked for him—but he’d never shown a hint of anything more, and neither had I. I’d been so careful not to.

I arrived at his office. His door was open, as usual, but he was hunched over his address book. I knocked. He looked up. He looked tired, sad, nigh despairing! I wondered if he’d already heard. If he was already grieving for me. He welcomed me in, his eyes searching my face. I sat down across from him, took a deep breath.

“I’ve received an offer,” I began. His expression froze. “For a job,” I dropped my gaze to my fingers, twisted in my lap. “As an editor. At the Times. It’s um—”

“Christy, that’s fantastic!”

I looked up, surprised at his tone. His whole face was suddenly brighter.

“That’s the job you’ve always wanted, isn’t it?”

“Well, yes. I—”

“You deserve it, you know. You’ll be the best editor that paper’s ever had.”

“You’re not…upset?”

“Upset? Of course not. I’m happy for you. Aren’t you happy?”

He looked doubtful for a moment, but I couldn’t disappoint him.

“I’m thrilled,” I forced a smile, “Just a little sad to leave this place.”

“We are going to miss you around here.”

We. Not I.

It’s replaying that part of the conversation that makes me finally break down.

And here in my new office, I don’t even know where the tissues are. I’ll have to make a break for the bathroom to bawl my eyes out on a roll of toilet paper.

I collide with my new boss as I’m bursting into the hallway.

I apologize and offer a fake laugh, but it’s too late. She’s seen my red eyes and runny nose.

“Oh, dear,” and she pulls me back into my office and shuts the door, producing a pack of tissues from a drawer. “What’s happened?”

I consider making up a story about a dead aunt, but one glance at her concerned expression and I decide I can’t lie to her.

“He doesn’t love me!” I blurt before hiding my face in my hands.

“Wha…who?”

“My boss. My last boss. When I told him…” quivering breath, “I was leaving,” sob, “he even looked h-h-h-appy. And now I’ll never s-s-s-see him again.” Involuntary wail. Oh, gravy. I haven’t been on the job four hours yet and I’m going to get fired for blubbering like a preteen over a crush. “I’ll get over it!” I gasp, raising my head to look her in the eye and nod—repeatedly, because I have to convince myself as well as her. “Please, I’ll get over it. I’ll be the best editor you’ve ever had, I’ve just got to—” quiver, sob, “Compose myself.”

She shakes her head. “Don’t you know how you got this job?” Her voice is high and constricted, like she’s about to laugh.  “Your boss called to recommend you.”

“He…” heart drops to gut. “What?”

But I already understand.

He knew I was in love with him. I hadn’t hidden it as well as I thought. And rather than hurt my feelings, he found a better position for me elsewhere. All those offers. He must have been calling in favors all over town.

More wailing, sobbing, nose blowing. Where are Ben & Jerry when you need them?

“Christy!”

I snap back to attention and realize my new boss—or new ex-boss?—has been trying to tell me something.

“When he called,” she said again, her voice steady, “And told me you were perfect for the job, I asked him why, then, was he letting you go? And do you know what he said?”

I sniffed, shaking my head.

“Because—and these were his exact words—‘I constantly have to remind myself not to kiss her.’ You see?”

I stare at her.

“He couldn’t make a move while you still worked there. He didn’t want you to feel like your job depended on a relationship.”

“He…he didn’t say that…”

“Are you calling me a liar?” she planted her hands on her hips.

“I…” I’m floundering now, lightheaded. Maybe I’ll faint like a woman in an old movie. “That’s not…”

“And now here he comes to take you to lunch, and I’ve ruined the surprise.”

She’s looking out the window down at the parking lot. I lean forward to see. It’s him. Heading for the door like he’s on a mission. A bunch of flowers in his hand.

I look at my new boss. She looks at me and grins. “Told you.”

I smile. I forget to breathe. This must be what giddy means.

“You have about twenty seconds to get that eyeliner cleaned up. You look like a zebra.”

She turns on a heel and walks out. I scramble for more tissues.

First day of my dream job. Everything is perfect.

UPDATE: The second draft of Fraternization is now posted!

What Happened to George Lucas?

 

babies dressed as princess leia and obi wan

Image by Steve Winton

Jar Jar Binks did not ruin Star Wars.

Actually, I found Jar Jar amusing. But there’s a reason I put it on my “If I Ever Get Filthy Rich” to-do list to buy the rights to Star Wars so I can completely remake the prequels:

George Lucas ruined Star Wars.

Now, let’s not harp on the guy. He obviously didn’t mean to ruin Star Wars. So what went wrong?

And how do the rest of us avoid doing the same thing?

Obviously, the specific errors are too many to list – from the overuse of CGI to the nonsensical plot – but it all boils down to two general problems:

  1. He knew the originals were good, but he didn’t know why.
  2. Rather than taking the time to figure out why, he opted to start making money NOW through the prequels.

The meat was what made Star Wars great—the characters; the story. Lucas didn’t take the time to understand either of those things. Maybe he was lazy, or impatient, or afraid to fall whilst leaping for greatness. But all he managed to do was copy the occasional catchphrase and the droids’ comic relief, and set up a few scenes to mirror scenes in the originals (whether or not it made plot sense). But all these things are just accessories—they make the story better only when the story is already good. When the story isn’t good, they just aggravate the gag reflex.

Here are the major character errors Lucas committed. If he had taken the time to understand and develop the characters, the plot would have formed itself.

No clear protagonist

Who is the hero of the new trilogy? You know, the Average Joe to whom all the weird stuff is explained (and thus explained to us); the guy we like and root for?

  • Is it Anakin? But we don’t even meet him until 32 minutes into the first movie (which itself is only two hours and change). And even then, he doesn’t know what’s going on until movie two.
  • Is it Obi Wan? He’s on screen a lot, but we don’t get an inside look at his motives or emotions.

Our lesson: Know who your hero is. Introduce him early. Ensure he is likeable.

Role reversals

  • Movie one: Master Qui Gon recklessly gambles with someone else’s ship, while his young apprentice, Obi Wan, sits by wisely questioning his choices.
  • Movie two: Obi Wan switches to the reckless master position: after telling Anakin to think before he acts, Obi Wan promptly crashes through a window to grab onto an assassin droid that really doesn’t look like it can support his weight – and Anakin’s the one to rescue him.
  • Amidala resists a romantic relationship just because she’s in politics, while Anakin, who’s been brainwashed to reject romance for the last ten years of his life, is hitting on her from the very first moment
  • And why does she show all that skin if she wants to keep things professional?

Our lesson: Make a list of the major actions in your story, who performs those actions, and what their motives were. Does it make sense, or do you need to swap some things around?

No personalities

The original trilogy abounded in distinct personalities.

  • Luke Skywalker: sheltered, idealistic, brave.
  • Han Solo: roguish, jaded, heart of gold.
  • Princess Leia: smart, stubborn, caring.

The new trilogy, however…

  • Anakin Skywalker: uh…whiny, homicidal, stalker-ish?
  • Obi Wan Kenobi: doesn’t seem to know who he is (see above).
  • Queen/Senator Amidala: uh. Nondescript?

Our lesson: Can you describe your main characters without mentioning their appearance or occupation? If not, you’ve got work to do.

Shallow romance

Why do Anakin and Amidala fall in love? Aside from the fact that they are both good looking, and they get shot at together a couple times, there is no foundation for Amidala telling Anakin “I truly, deeply, love you.” I mean, Amidala’s been dealing with galactic politics since she was 14—why is she attracted to this kid who complains about his teachers being too strict?

Our lesson: If your story includes romance, ask yourself what, particularly, makes those two characters suited to each other? Find something in their personalities that’s complementary.

Contradicting ideals

Lucas contradicts not only the facts of the story (for instance, according to the original trilogy, Anakin never knew Amidala was pregnant), but the ideals. We go from Yoda telling Luke that “War does not make one great” to Obi Wan telling Anakin of his lightsaber that “This weapon is your life.”

Our lesson: Know what ideals your characters hold, and check that their actions and dialogue match those ideals.

What bothered you the most about the new Star Wars trilogy? What did you like about it?

NOTE: I owe many of the points in this post to Red Letter Media’s Star Wars reviews, which are horribly inappropriate—but annoyingly insightful.

How to write in an other-worldly voice

The robot bares his soul on paper. Photo by Mirko Schaefer.

Last week we talked about how to craft an authentic voice by listening to the voices around you and in media. But what if your character is a type of person you can’t find in any of those places? What if they’re from the future, of which we know little, or from the ancient past, before there was a written language to record how they spoke? What if they are not even human—an alien, an angel, a robot dinosaur?

What if you want a voice just as unique as the character? A voice that will blow your readers’ minds?

Here are some steps to help you create one.

NOTE: this is a list of ideas, not a checklist. All will not work for your character, and there are probably additional methods you will need. This is simply a starting point. Choose wisely, but don’t be afraid to experiment!

 

First – a few questions to get you in the mindset:

Is the narrator intimately familiar with the modern human world? Would he be able to use and understand our weird human idioms and expressions?

Imagine a day in the life of this character. What does he spend most of his time doing? How does this effect what he thinks and talks about?

If this character doesn’t speak English, whatever you write is a translation. Ask yourself what his native language is like, compared to English. Is it as descriptive? Is it more rigid? Is it simpler, or more complicated? Are there some concepts in his language that can’t be translated to English at all?

Are there human or earthly concepts he cannot understand? Does he understand gender? Light and dark? The passage of time? Physical space?

Will this story be like describing color to a man born blind, and if so, who is the blind man—the character, or the reader?

 

Now, some fun things to try:

  • Remove all idioms and clichés – or get them intentionally wrong
  • Remove any pop culture references
  • Make up pop culture references
  • Occasionally try, then fail, to describe something, then explain that human words are inadequate
  • Replace common words with words you make up, or words from an obscure human language: especially replace words that are measurements, such as in time (minutes, hours, years), distances (feet, meters) as well as days of the week, etc.
  • Change the spelling of words – think of Olde English, or 1337 (leet)
  • Remove common words like articles (a, an, the), like in The Moon is a Harsh Mistress
  • Cut words down to their roots, eliminating ings and eds and the like
  • Eliminate punctuation, using only line- and paragraph-breaks to differentiate between phrases and sentences
  • Use all the senses except sight in your descriptions
  • Describe from a sixth sense, like telepathy – bonus points if you can make up a sense nobody has thought of before
  • Don’t use adjectives
  • Don’t use pronouns
  • Write normally, then remove every fifth word and see what happens
  • Describe events at a molecular level
  • Describe events as if watching from miles away

 

What wacky voice ideas do you have? Spill them in the comments!

 

Other posts to help you prepare for Voice Week:

When I announced the first Voice Week

How to find your voice – explained in 5 different voices

5 fantastic examples of voice

How last year’s Voice Week went

How to craft an authentic voice through research