Author: Stephanie Orges

Stephanie is an award-winning copywriter, aspiring novelist, and barely passable ukulele player. Here, she offers writing prompts, tips, and moderate-to-deep philosophical discussions. You can also find her on and Pinterest.

Why Doctor Who is awesome: a writer’s perspective

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yes, this is a sonic screwdriver

 

I’ll try not to break into fangirl gushing – and simply state some solid reasons Doctor Who has lasted so long.

The BBC’s Doctor Who is the longest-running sci-fi series in history. It ran from 1963-1989, was regenerated in 2005 and has been going strong ever since. It’s about a 900-year-old Time Lord from an alien planet who calls himself “the Doctor.” He spends his days traveling through time and space, saving people, worlds, and whole universes. Here are five reasons the show has been so successful for so long:

Infinite possibilities

Because the Doctor can travel through time and space, the writers have the whole of human history to play with, plus whatever they can imagine in our future and across the universe.
Immortal characters played by mortal actors

The DW writers solved the problem of actors aging or moving on to other projects by creating in a quirk of Time Lord DNA – Time Lords don’t die; they regenerate. I.e., the same character comes back as a different actor, with a different wardrobe and perhaps a different personality.

Recurring elements

There are some things that stay the same throughout the series, maintaining a sense of familiarity despite constantly changing characters and locations. The main ones include:

The Doctor – insofar as his background and identity goes.

The TARDIS – the Doctor’s space ship/time machine, which is bigger on the inside. Due to a broken chameleon circuit, the TARDIS is stuck looking like a Police Call Box from 1963 London. The Doctor doesn’t fix it, because he likes it that way.

Sonic Screwdriver – a handy tool the Doctor uses in almost every episode to open doors, reprogram robots, and more.

Psychic paper – a blank piece of paper that shows people whatever the Doctor wants them to see. He usually uses it as fake ID to break into high security establishments and exclusive parties.

Relatability

The genius alien time traveler must be balanced with a more relatable, “regular” character, if only so the Doctor has someone to explain things to, so the audience doesn’t get lost. The Doctor always has a companion – usually a girl from modern-day Earth, who travels with him.

Great writing

The concepts are fascinating, the storytelling is effortless. Within a single episode you may laugh, cry, gasp, and grip the edge of your seat. The storylines are fun-filled adventures, but mixed with a greater depth of moral questions, such as self-sacrifice and when it is right to kill.

If you are writing a series, consider employing some of these same concepts to keep it fresh, familiar, relatable, and emotionally relevant.

Inspiration Monday

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Per Debra’s suggestion, I’ve decided to post some weekly writing prompts, here forward known as, “Inspiration Monday.” Of course, because I won’t get around to getting the post up until 8 or 9 pm CST Monday, most of you won’t see it until Tuesday. But I digress.

The Rules

There are none. Read the prompts, get inspired, write something. No word count minimum or maximum. You don’t have to include the prompt in your piece, and you can interpret the prompt(s) any way you like.

No really; I need rules!

If you work better with guidelines: write 200-500 words on the prompt of your choice. You may either use the prompt as the title of your piece or work it into the body of your piece. You must complete it before 6 pm CST on the Monday following this post.

 

The Prompts

Leftover humans*

Our last kiss

When it looked at me, I screamed

I knew I shouldn’t have published that article

The invention of music

 

If you want to share your Inspiration Monday piece, post it on your blog and link back to today’s post; I’ll include a link to your piece in the next Inspiration Monday post.

Happy writing!

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* Today’s first prompt is brought to you by The Book Thief, by Markus Zusak.

Backpacks across the galaxy: how to personalize the epic

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Epic-ness is all well and good, but without a personal touch, it can fall flat. We wouldn’t care whether or not Middle Earth fell to Sauron if we didn’t get to know Frodo and Sam along the way. It’s the little, everyday details that make us care; that show us the relevance of the big picture by connecting it to a close-up of the character(s).

This concept really threw me the first time I read Out of the Silent Planet. A man is on a walking tour in England, when he loses his backpack and is kidnapped by two men who take him to an alien planet. He escapes, and spends the next several chapters living among the locals, learning their language and discovering fascinating things about the universe. Then, on page 96, he gets a chance to look through a telescope at a planet the locals call Thulcandra:

He wondered for a moment if it was Mars he was looking at; then, as his eyes took in the markings better, he recognized what they were—Northern Europe and a piece of North America. They were upside down with the North Pole at the bottom of the picture and this somehow shocked him. But it was Earth he was seeing—even, perhaps, England, though the picture shook a little and his eyes were quickly getting tired, and he could not be certain that he was not imagining it. It was all there in that little disk—London, Athens, Jerusalem, Shakespeare. There everyone had lived and everything had happened; and there, presumably, his pack was still lying in the porch of an empty house near Sterk.

This last sentence is so amazing it makes me dizzy. From the alienness of another planet, the hugeness of the universe, the awe of seeing Earth from space, the vastness of human history—to the ordinariness of a backpack left on a porch. This is why C.S. Lewis is my favorite writer; he turns my brain inside out.

Douglas Adams does something similar (but much more humorous) in his Hitchhiker’s Guide to the Galaxy trilogy, when Arthur Dent is falling to his death and suddenly remembers he has a bottle of olive oil in his knapsack—possibly the last piece of the Earth left in the entire universe (this realization enabled him to learn how to fly…but that’s another post).

And I experienced something similar when I was driving home from visiting my grandparents last Christmas. We stopped at a Denny’s, and I happened to notice that the walls at this Denny’s had the exact same texture as the walls at home. And although I hadn’t been gone long enough to miss home, I suddenly got a lump in my stomach and felt homesick.

Moral of the post: the details make it meaningful. The next time you are writing a “big picture” scene, consider making your character notice or remember something that gives you a “close up.”

The four days that made me a writer

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When I was in grade school, I went to writing camp with my two best friends. This consisted of the three of us staying at the house of a creative writing teacher for four days.

The first thing I remember doing was sitting down at her little card table, one of us on each side, pencils poised over notebooks as we gazed off into space. Miss Judy was spouting random phrases, spaced out to give us time to think in between, and occasionally one of us would bend over the table, scribbling something on the notebook paper. I can’t remember any of the specific phrases she gave us, but they were something like: a strange visitor…the first day of school…the last time we met…my best friend…and so on. Writing prompts. Sources of inspiration.

Since then, I’ve looked at writing prompts on a few writing websites and been disappointed. Most set up a situation and then ask you how it ends. Others give you a list of words to use, or a picture to write a story about. This seems to me more exercise than inspiration. The simple phrases Miss Judy gave us sparked our imaginations and empowered us to write whole stories.

Second, Miss Judy separated us. We each had our own corner of the house, where we wouldn’t be distracted by one another. She would set the timer for 45 minutes and we would sit there and write whatever story had been inspired by her prompts. My writing spot was a long, straight hallway, with very few doors and no decoration. Stark white. It had a cold, clinical, futuristic feel. I can’t stress enough just how much I enjoyed sitting in this hallway. Something about its emptiness excited me, the same way a blank page excites me. I think this was the first time I felt the intense joy of creating.

When the 45 minutes were up, we gathered together and read aloud what we had written – and here was the kicker: we had to read it exactly as we had written it. No fixing grammar mid-read. This encouraged us to edit more meticulously before we came to the group session; it helped us to look more objectively at our own writing, because we knew we’d soon have to face the criticism of our fellow writers (which was always kind…but still!). Then, of course, we gave each other suggestions and encouragement.

Best. Four days. Ever. It was eat, sleep, write, critique. Miss Judy taught me a lot about writing, and she fueled my passion for something I had, until that point, only been mildly interested in. Although my two best friends now only write casually, occasionally, I have grown into a writing fiend. I’m addicted. If I go more than a week without working on some form of fiction, I start to get depressed. And I couldn’t be happier about that.

What’s your origin story? How did you become a writer?

5 Ways to Make Your Characters Believable

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Characters are the soul of a story, and the more clearly you can paint those characters, the more believable they (and your story) will be. So how do you do that?

1. How they talk

The more character you can convey through dialogue, the better. Make sure your characters don’t all talk the same way. Teach yourself to write unique speech for each character by listening to real people around you. How do your friends talk, in contrast with your parents? How does your boss talk as opposed to the guy in the next cubicle? Do they have an accent? Do they use certain phrases a lot? Do they tend to focus more on the technical side of things, or the emotional side? Are they sarcastic? Passive-aggressive? Non-confrontational?

2. How they move

Body language is a great way to Show, Don’t Tell. She stared at him as he struggled to find words. His eyes darted around the room as he looked for an escape. She push her hair behind her ear as she blushed. He folded his arms and shook his head as he surveyed the damage.

3. How they act

Actions speak louder than words, even when you’re using words to describe those actions. I’m always tempted to write things like; “He was a generous man,” but that’s telling, not showing. Show he’s kind by describing a specific act of generosity, like paying for the groceries of the woman behind him at the checkout.

4. What they think and feel

Use your character’s thoughts to convey their deepest desires, and what they learn throughout the story. Thoughts can greatly enhance any of the above three methods:

Your character might be furious her father, and might think out a whole paragraph of passionate things she’d like to say to him. But maybe she’s intimidated by her father, so all she gets out is one weak sentence.

If their words are the opposite of their thoughts, make their body language match their thoughts. The child says he didn’t steal the cookie, but drops his eyes in shame.

And third, of course, thoughts convey motives. Maybe by reading the thoughts of our generous man, we find out that he is generous now because he feels guilty about someone he hurt in his past.

5. What they look like

I listed appearance last, because many writers rely on it too much. Avoid the laundry list description; “He had blue eyes, blonde hair, and a medium build.” Instead, think about the things you notice the first time you meet someone; you really just get a general idea of what they look like. Convey a sense of appearance, rather than a list of details; “Scraggly yellow hair and a grin that seemed almost too wide for his face.”