Stephanie is an award-winning copywriter, aspiring novelist, and barely passable ukulele player. Here, she offers writing prompts, tips, and moderate-to-deep philosophical discussions. You can also find her on and Pinterest.

Inspiration Monday: the final cut

Okay, folks, Voice Week starts ONE WEEK FROM TODAY. There’s still time to sign up; just leave me a comment anywhere. If you’ve already signed up, please check the list on the right side of this page for your name – I want to make sure I didn’t miss you!

If you have any questions, leave a comment or email me at bekindrewrite (at) yahoo.com.

Inspiration Monday will be postponed during Voice Week, which means you’ll have two weeks with these prompts instead of just one! New prompts on October 8.

Some new InMonsters this week! Be sure to pay them a visit. You guys are all so talented.

Raina

Chris

UnhealthyObsessionWithWords and another

Carrie

Elmo

Brian

Jack

Craig

Jacky

The Rules

There are none. Read the prompts, get inspired, write something. No word count minimum or maximum. You don’t have to include the exact prompt in your piece, and you can interpret the prompt(s) any way you like.

OR

No really; I need rules!

Okay; write 200-500 words on the prompt of your choice. You may either use the prompt as the title of your piece or work it into the body of your piece. You must complete it before 6 pm CST on the Monday following this post.

The Prompts:

The final cut**
Breaking fast
Airplane juice
Check out    
Shaken, not stirred

Want to share your Inspiration Monday piece? Post it on your blog and link back to today’s post (here’s a video on how to do it); I’ll include a link to your piece in the next Inspiration Monday post. No blog? Email your piece to me at bekindrewrite (at) yahoo (dot) com. (I do reserve the right to NOT link to a piece as stated in my Link Discretion Policy.)

Plus, get the InMon badge for your site here.

Happy writing!

* MC = Mature Content. 

Opinions expressed in other writers’ InMon pieces are not necessarily my own.

**Like the Pink Floyd album. Which was really more Roger Waters.

Short Fiction: Fraternization

A little piece of fiction that’s been hanging in my head for awhile. It’s too long and too schmaltzy, but I don’t have time to shorten it – and we’ll just chalk it up to the self-indulgence of the hopeless romantic, eh?  Constructive criticism welcome.

Photo by Chris Costes

It’s the first day of my dream job. Everything is perfect. I sit at my mahogany desk and try not to cry.

I didn’t even apply for this job. The offer came out of the blue, on the heels of seven other unsolicited offers. Higher salaries, better benefits, but I turned them all down. I didn’t want to leave him.

But I couldn’t turn down this one.

The worst part was telling him. I was shaking that morning as I rode the elevator to the fourth floor. No amount of daisy-petal pulling could compare to this moment.

I was finally going to find out if he loved me.

I imagined how it would go – you know, best case scenario fairy-tale ending.

I’ve received an offer for the editor position at the Times, I’d say, You know how much I love working here, but this is the job I’ve dreamed about for as long as—are you alright?

 I’d interrupt myself at this point because I’d notice how crestfallen he had become.

Christy… he’d stammer, I just…don’t think I’m ready to lose you. I know I’ve never told you how I felt—but I’ve always loved you.

Of course that wouldn’t happen. But I was hoping at least for a hint of disappointment. Something that would tell me he cared. Well, I knew he cared. He cared about everyone—treated us all like royalty Monday through Friday for the two years I’d worked for him—but he’d never shown a hint of anything more, and neither had I. I’d been so careful not to.

I arrived at his office. His door was open, as usual, but he was hunched over his address book. I knocked. He looked up. He looked tired, sad, nigh despairing! I wondered if he’d already heard. If he was already grieving for me. He welcomed me in, his eyes searching my face. I sat down across from him, took a deep breath.

“I’ve received an offer,” I began. His expression froze. “For a job,” I dropped my gaze to my fingers, twisted in my lap. “As an editor. At the Times. It’s um—”

“Christy, that’s fantastic!”

I looked up, surprised at his tone. His whole face was suddenly brighter.

“That’s the job you’ve always wanted, isn’t it?”

“Well, yes. I—”

“You deserve it, you know. You’ll be the best editor that paper’s ever had.”

“You’re not…upset?”

“Upset? Of course not. I’m happy for you. Aren’t you happy?”

He looked doubtful for a moment, but I couldn’t disappoint him.

“I’m thrilled,” I forced a smile, “Just a little sad to leave this place.”

“We are going to miss you around here.”

We. Not I.

It’s replaying that part of the conversation that makes me finally break down.

And here in my new office, I don’t even know where the tissues are. I’ll have to make a break for the bathroom to bawl my eyes out on a roll of toilet paper.

I collide with my new boss as I’m bursting into the hallway.

I apologize and offer a fake laugh, but it’s too late. She’s seen my red eyes and runny nose.

“Oh, dear,” and she pulls me back into my office and shuts the door, producing a pack of tissues from a drawer. “What’s happened?”

I consider making up a story about a dead aunt, but one glance at her concerned expression and I decide I can’t lie to her.

“He doesn’t love me!” I blurt before hiding my face in my hands.

“Wha…who?”

“My boss. My last boss. When I told him…” quivering breath, “I was leaving,” sob, “he even looked h-h-h-appy. And now I’ll never s-s-s-see him again.” Involuntary wail. Oh, gravy. I haven’t been on the job four hours yet and I’m going to get fired for blubbering like a preteen over a crush. “I’ll get over it!” I gasp, raising my head to look her in the eye and nod—repeatedly, because I have to convince myself as well as her. “Please, I’ll get over it. I’ll be the best editor you’ve ever had, I’ve just got to—” quiver, sob, “Compose myself.”

She shakes her head. “Don’t you know how you got this job?” Her voice is high and constricted, like she’s about to laugh.  “Your boss called to recommend you.”

“He…” heart drops to gut. “What?”

But I already understand.

He knew I was in love with him. I hadn’t hidden it as well as I thought. And rather than hurt my feelings, he found a better position for me elsewhere. All those offers. He must have been calling in favors all over town.

More wailing, sobbing, nose blowing. Where are Ben & Jerry when you need them?

“Christy!”

I snap back to attention and realize my new boss—or new ex-boss?—has been trying to tell me something.

“When he called,” she said again, her voice steady, “And told me you were perfect for the job, I asked him why, then, was he letting you go? And do you know what he said?”

I sniffed, shaking my head.

“Because—and these were his exact words—‘I constantly have to remind myself not to kiss her.’ You see?”

I stare at her.

“He couldn’t make a move while you still worked there. He didn’t want you to feel like your job depended on a relationship.”

“He…he didn’t say that…”

“Are you calling me a liar?” she planted her hands on her hips.

“I…” I’m floundering now, lightheaded. Maybe I’ll faint like a woman in an old movie. “That’s not…”

“And now here he comes to take you to lunch, and I’ve ruined the surprise.”

She’s looking out the window down at the parking lot. I lean forward to see. It’s him. Heading for the door like he’s on a mission. A bunch of flowers in his hand.

I look at my new boss. She looks at me and grins. “Told you.”

I smile. I forget to breathe. This must be what giddy means.

“You have about twenty seconds to get that eyeliner cleaned up. You look like a zebra.”

She turns on a heel and walks out. I scramble for more tissues.

First day of my dream job. Everything is perfect.

UPDATE: The second draft of Fraternization is now posted!

Inspiration Monday: borrowed heart

Things are a little scarce this week – I hope these means you are all gearing up for Voice Week? Ack…I need to finish my pieces.

Anyway, if I missed anybody, it was accidental – please let me know in the comments!

And read this week’s work:

SWSondheimer

Chris

Ooops – missed Raina

Don’t forget Voice Week starts October 1. Check out photos of the prize here. If you want to join and haven’t already, tell me in the comments!

The Rules

There are none. Read the prompts, get inspired, write something. No word count minimum or maximum. You don’t have to include the exact prompt in your piece, and you can interpret the prompt(s) any way you like.

OR

No really; I need rules!

Okay; write 200-500 words on the prompt of your choice. You may either use the prompt as the title of your piece or work it into the body of your piece. You must complete it before 6 pm CST on the Monday following this post.

The Prompts:

Borrowed heart
Waiting to live
Palm pilot
We found her
Unspent

Want to share your Inspiration Monday piece? Post it on your blog and link back to today’s post (here’s a video on how to do it); I’ll include a link to your piece in the next Inspiration Monday post. No blog? Email your piece to me at bekindrewrite (at) yahoo (dot) com. (I do reserve the right to NOT link to a piece as stated in my Link Discretion Policy.)

Plus, get the InMon badge for your site here.

Happy writing!

* MC = Mature Content. 

Opinions expressed in other writers’ InMon pieces are not necessarily my own.

What Happened to George Lucas?

 

babies dressed as princess leia and obi wan

Image by Steve Winton

Jar Jar Binks did not ruin Star Wars.

Actually, I found Jar Jar amusing. But there’s a reason I put it on my “If I Ever Get Filthy Rich” to-do list to buy the rights to Star Wars so I can completely remake the prequels:

George Lucas ruined Star Wars.

Now, let’s not harp on the guy. He obviously didn’t mean to ruin Star Wars. So what went wrong?

And how do the rest of us avoid doing the same thing?

Obviously, the specific errors are too many to list – from the overuse of CGI to the nonsensical plot – but it all boils down to two general problems:

  1. He knew the originals were good, but he didn’t know why.
  2. Rather than taking the time to figure out why, he opted to start making money NOW through the prequels.

The meat was what made Star Wars great—the characters; the story. Lucas didn’t take the time to understand either of those things. Maybe he was lazy, or impatient, or afraid to fall whilst leaping for greatness. But all he managed to do was copy the occasional catchphrase and the droids’ comic relief, and set up a few scenes to mirror scenes in the originals (whether or not it made plot sense). But all these things are just accessories—they make the story better only when the story is already good. When the story isn’t good, they just aggravate the gag reflex.

Here are the major character errors Lucas committed. If he had taken the time to understand and develop the characters, the plot would have formed itself.

No clear protagonist

Who is the hero of the new trilogy? You know, the Average Joe to whom all the weird stuff is explained (and thus explained to us); the guy we like and root for?

  • Is it Anakin? But we don’t even meet him until 32 minutes into the first movie (which itself is only two hours and change). And even then, he doesn’t know what’s going on until movie two.
  • Is it Obi Wan? He’s on screen a lot, but we don’t get an inside look at his motives or emotions.

Our lesson: Know who your hero is. Introduce him early. Ensure he is likeable.

Role reversals

  • Movie one: Master Qui Gon recklessly gambles with someone else’s ship, while his young apprentice, Obi Wan, sits by wisely questioning his choices.
  • Movie two: Obi Wan switches to the reckless master position: after telling Anakin to think before he acts, Obi Wan promptly crashes through a window to grab onto an assassin droid that really doesn’t look like it can support his weight – and Anakin’s the one to rescue him.
  • Amidala resists a romantic relationship just because she’s in politics, while Anakin, who’s been brainwashed to reject romance for the last ten years of his life, is hitting on her from the very first moment
  • And why does she show all that skin if she wants to keep things professional?

Our lesson: Make a list of the major actions in your story, who performs those actions, and what their motives were. Does it make sense, or do you need to swap some things around?

No personalities

The original trilogy abounded in distinct personalities.

  • Luke Skywalker: sheltered, idealistic, brave.
  • Han Solo: roguish, jaded, heart of gold.
  • Princess Leia: smart, stubborn, caring.

The new trilogy, however…

  • Anakin Skywalker: uh…whiny, homicidal, stalker-ish?
  • Obi Wan Kenobi: doesn’t seem to know who he is (see above).
  • Queen/Senator Amidala: uh. Nondescript?

Our lesson: Can you describe your main characters without mentioning their appearance or occupation? If not, you’ve got work to do.

Shallow romance

Why do Anakin and Amidala fall in love? Aside from the fact that they are both good looking, and they get shot at together a couple times, there is no foundation for Amidala telling Anakin “I truly, deeply, love you.” I mean, Amidala’s been dealing with galactic politics since she was 14—why is she attracted to this kid who complains about his teachers being too strict?

Our lesson: If your story includes romance, ask yourself what, particularly, makes those two characters suited to each other? Find something in their personalities that’s complementary.

Contradicting ideals

Lucas contradicts not only the facts of the story (for instance, according to the original trilogy, Anakin never knew Amidala was pregnant), but the ideals. We go from Yoda telling Luke that “War does not make one great” to Obi Wan telling Anakin of his lightsaber that “This weapon is your life.”

Our lesson: Know what ideals your characters hold, and check that their actions and dialogue match those ideals.

What bothered you the most about the new Star Wars trilogy? What did you like about it?

NOTE: I owe many of the points in this post to Red Letter Media’s Star Wars reviews, which are horribly inappropriate—but annoyingly insightful.

Inspiration Monday: this one’s for you (Miss Judy)

This week’s prompts are dedicated to my writing teacher from grade school, who I knew as “Miss Judy.” She died this past weekend. Her awesome, short writing prompts were what inspired me to start Inspiration Monday. I think it’s safe to say our little community would not exist if it hadn’t been for her. Though I hadn’t seen her in years, I’d heard she was doing poorly, but I idiotically put off calling her. So I missed my chance to tell her about all this. But maybe she’ll take a little time (if one can take ‘time’ out of eternity) to glance down and read some of your fantastic work:

LadyNimue

Lynnette

TK

SWSondheimer

Elmo

Chris and another and one more!

Craig

Raina

Oh, P.S.: don’t forget Voice Week starts October 1. Check out photos of the prize here. If you want to join and haven’t already, tell me in the comments!

The Rules

There are none. Read the prompts, get inspired, write something. No word count minimum or maximum. You don’t have to include the exact prompt in your piece, and you can interpret the prompt(s) any way you like.

OR

No really; I need rules!

Okay; write 200-500 words on the prompt of your choice. You may either use the prompt as the title of your piece or work it into the body of your piece. You must complete it before 6 pm CST on the Monday following this post.

The Prompts:

This one’s for you
Nervous smile
 Genius-proof
Stuck in the elevator
I know that voice

Want to share your Inspiration Monday piece? Post it on your blog and link back to today’s post (here’s a video on how to do it); I’ll include a link to your piece in the next Inspiration Monday post. No blog? Email your piece to me at bekindrewrite (at) yahoo (dot) com. (I do reserve the right to NOT link to a piece as stated in my Link Discretion Policy.)

Plus, get the InMon badge for your site here.

Happy writing!

* MC = Mature Content. 

Opinions expressed in other writers’ InMon pieces are not necessarily my own.