Stephanie is an award-winning copywriter, aspiring novelist, and barely passable ukulele player. Here, she offers writing prompts, tips, and moderate-to-deep philosophical discussions. You can also find her on and Pinterest.

Inspiration Monday: plausible deniability

Puns seem to be making more appearances in the prompts. I don’t know why. Also, what tastes better than colorful breakfast cereal at nine o’clock in the evening?

Maybe if it goes with a little reading:

ARNeal

Raina and another

Bee

Carrie

Elmo

Mike

Drew

Craig

 

The Rules

There are none. Read the prompts, get inspired, write something. No word count minimum or maximum. You don’t have to include the exact prompt in your piece, and you can interpret the prompt(s) any way you like.

OR

No really; I need rules!

Okay; write 200-500 words on the prompt of your choice. You may either use the prompt as the title of your piece or work it into the body of your piece. You must complete it before 6 pm CST on the Monday following this post.

The Prompts:

PLAUSIBLE DENIABILITY

CONQUERED GRAPES

JUST FOR KICKS

PARADOX REPAIR

HOOD

 

Want to share your Inspiration Monday piece? Post it on your blog and link back to today’s post (here’s a video on how to do it); I’ll include a link to your piece in the next Inspiration Monday post. No blog? Email your piece to me at bekindrewrite (at) yahoo (dot) com. (I do reserve the right to NOT link to a piece as stated in my Link Discretion Policy.)

Plus, get the InMon badge for your site here.

Happy writing!

* MC = Mature Content.

Opinions expressed in other writers’ InMon pieces are not necessarily my own.

How to Introduce Your Hero Without Exposition

Image by Pat Loika

Image by Pat Loika

Your protagonist is up for a job interview.

The position: adventure guide.

The hiring company: your reader.

He’s only got a few paragraphs to make that first impression and convince the reader to take him on for the next 200 pages. He’s got a resume full of great skills like sword-fighting and cat-saving, with a detailed peril history, but your reader isn’t really sure what qualities she’s looking for. Exposition isn’t going to help. She wants to see proof he’ll take her on a wild adventure, and that it’ll be fun, moving, thought-provoking, or all three.

It’s a working interview.

And this working interview—also known as his grand entrance into the story—must be three things:

  1. Memorable. It should be strange, clever, charming, funny, or disturbing. Something that makes the reader wake up and take notice, even if just to figure out what the heck he’s up to.
  2. Insightful. It should show something unique about the character. Elements of his appearance, his actions, and anything he is carrying can all illustrate the kind of person he is, and hint at his background. This can be as simple as mentioning his bum leg, and how he tries to hide it when he meets a pretty girl. Or maybe how he scares his grandkids by driving a fork into it.
  3. Relevant. It should relate to – or introduce – the problem that leads to the plot. The moment normal life gets turned upside down, whether the hero realizes it yet or not. Like Luke Skywalker buying a couple of used droids to help on the farm.

Think of great hero (or villain) entrances in movies and TV, where it’s harder for writers to sneak in exposition:

Pirates of the Caribbean

Captain Jack Sparrow standing on the topcastle of a sinking boat, one hand on the mast as he rides smoothly into harbor, past crowds of astonished eyes, to reach the dock just in time and stride nonchalantly on.

The Hitchhiker’s Guide to the Galaxy

Arthur Dent in pajamas lying in front of a bulldozer he’s just been informed wants to knock down his house to make way for a bypass. Moments later, a friend arrives informing him he’s got to forget the bulldozer because the Earth is about to be destroyed to make way for a hyperspace bypass.

Doctor Who (new series)

Rose is incredulous to find herself chased by a gang of animated mannequins. The first sign we see of the Doctor is his hand grabbing hers. Rose looks up to see a cheeky grin framed by large, goofy ears. “Run!” he says.

Mary Poppins

Flying in by umbrella. Looking exactly like the imaginary nanny Jane and Michael described. Pulling several large items out of an average-sized carpet bag (evidently it is bigger on the inside).

Star Wars IV

Darth Vader stepping through the hatch to board the rebel ship, surveying the dead with approval, the sound of the soulless breath clicking in and out of his metal lungs.

What do these entrances say about the characters? What do they say about the adventure to come?

Inspiration Monday: tuning out

Somewhere between the tire blowout and the ten-hour workday I got quite tired. Good thing I have your great work to bring me up again!

Raina

LoveTheBadGuy

Chris

Drew

Oscar

Bee

Carrie

The Rules

There are none. Read the prompts, get inspired, write something. No word count minimum or maximum. You don’t have to include the exact prompt in your piece, and you can interpret the prompt(s) any way you like.

OR

No really; I need rules!

Okay; write 200-500 words on the prompt of your choice. You may either use the prompt as the title of your piece or work it into the body of your piece. You must complete it before 6 pm CST on the Monday following this post.

The Prompts:

TUNING OUT

ELEPHANT SOUP

STRANGERS AGAIN

MIST TICKLE

RED GRASS

 

Want to share your Inspiration Monday piece? Post it on your blog and link back to today’s post (here’s a video on how to do it); I’ll include a link to your piece in the next Inspiration Monday post. No blog? Email your piece to me at bekindrewrite (at) yahoo (dot) com. (I do reserve the right to NOT link to a piece as stated in my Link Discretion Policy.)

Plus, get the InMon badge for your site here.

Happy writing!

* MC = Mature Content.

Opinions expressed in other writers’ InMon pieces are not necessarily my own.

Should your characters be likable or relatable?

Image: RoseofTimothywoods

Image: RoseofTimothywoods

You’ve heard about making your protagonists relatable. And you’ve heard about making them likable. Are they the same thing? If not, which is more important?

The difference between likeability and relatability

You relate to a character who is similar to you in some way. This doesn’t mean you have to have the same occupation, background, or religion (though that can help) – it means you share some of the same struggles, weaknesses, or desires. A “deep down, we all just want to be loved,” kind of a thing.

You like a character you can admire. Maybe they have qualities you wish you had or that you aspire to. Or maybe they’re just fun to be around. They could be funny or quirky or extremely loyal.

It’s like the difference between empathy and sympathy – in one, you can actually feel the other person’s pain as if it were your own. In the other, you can only imagine the other person’s pain, but you still root for them.

Relatability can create stronger emotions for the reader. Rather than simply watching your hero go through things, the reader is going through things with the hero.

Likability can create more pleasant emotions for the reader. A hero who is fun to be around, or who earns the reader’s love, can become like a best friend or brother – someone the reader doesn’t want to leave.

Which should you aim for?

They aren’t mutually exclusive: relating to a character can lead to liking him, and vice versa. They aren’t mutually dependent, either: you can like a character who’s very different from you, or you can hate a character who represents all the worst parts of yourself.

Whether you aim for likeability or relatability or both depends on the tone of the story and the traits you already know the character has.

But generally, you should try for a little of both.

How to write likable characters

I talked about this awhile back – right here. There are some relatability tips in there, too.

How to write relatable characters

Again, relatability is more about feelings (pain points and dreams) than about facts (age, sex, religion). The best path to relatability is not to avoid extremes so as not to alienate anyone (you’ll just end up with a nondescript Lego brick), but to tell the truth. Give your hero your own deepest, most powerful feelings, good and bad. Describe in detail how they affect you/him physically, and the thoughts they scream through your head. Nine times out of ten, the response will be “You, too? I thought I was the only one.”

Who’s your favorite likable character? What character do you most relate to? Why?

* Thanks to David for suggesting this topic.

 

 

Inspiration Monday: trouble feeling

So, at least one of you was having trouble posting comments. I’ve tweaked some settings. Can y’all comment now?

If not, please shoot me an email at stephanie (at) bekindrewrite.com

Oooo, new email address! The old one still works for now, though.

Enough with the boring, get on to the goods!

Chris and another

LadyWhispers

Whoops – due to comment troubles, I missed:

Elmo

The Rules

There are none. Read the prompts, get inspired, write something. No word count minimum or maximum. You don’t have to include the exact prompt in your piece, and you can interpret the prompt(s) any way you like.

OR

No really; I need rules!

Okay; write 200-500 words on the prompt of your choice. You may either use the prompt as the title of your piece or work it into the body of your piece. You must complete it before 6 pm CST on the Monday following this post.

The Prompts:

TROUBLE FEELING

TRUST THE EXPERTS

FREEFALL

ALIEN EARTH

WHERE FOOLS GATHER

 

Want to share your Inspiration Monday piece? Post it on your blog and link back to today’s post (here’s a video on how to do it); I’ll include a link to your piece in the next Inspiration Monday post. No blog? Email your piece to me at bekindrewrite (at) yahoo (dot) com. (I do reserve the right to NOT link to a piece as stated in my Link Discretion Policy.)

Plus, get the InMon badge for your site here.

Happy writing!

* MC = Mature Content.

Opinions expressed in other writers’ InMon pieces are not necessarily my own.