23 fun ways to be productive despite writer’s block

Image by Drew Coffman

After waiting for it all week, you’re finally settling in at your computer with a giant mug of tea. You open your novel-in-progress. You scroll to the blank space at the end. You stretch your fingers.

And nothing happens.

You don’t feel like writing. You’re still tired from the mad work week. Your brain hasn’t woken up yet. You need to start the laundry, balance the checkbook and scrub out the tub. And this scene is boring. And you’re not really sure what happens next. Well, you know what happens next, but you don’t know how to get from here to there and it’s just not coming!

No use in wasting time staring at your computer (or, more likely watching YouTube videos and checking Pinterest). Here are 23 fun things you can experiment with to make your novel better while you wait for inspiration to strike.

  1. Cut 50 words from the previous page.
  2. Find creative ways to eliminate five adverbs (seach “ly” using the Find tool to find them).
  3. Go back to the previous scene and add a detail that reveals something about a character.
  4. Outline your villain’s evil plan.
  5. Jot down five alternate titles for the book.
  6. Write five alternate first sentences.
  7. Try moving chapter breaks around. See if every chapter can end in a cliffhanger.
  8. Go back to the previous action scene (fight, chase, whatever) and experiment with shortening all the sentences. Try using more incomplete sentences.
  9. Find a place where you use a color to describe something (brown, grey, green, yellow) and replace/supplement the name of the color with the name of an item (e.g. chocolate, dust, moss, straw).
  10. In the scene in which you are stuck, think of the most ridiculous thing that could happen next.
  11. Think of the most surprising (but plausible) thing that could happen next.
  12. Have a chat with your protagonist. Ask if he would rather do something else.
  13. Turn on some music that matches the feel of the scene you are trying to write (heavy metal for a battle scene, classical violin for a death scene, etc.) and free write whatever comes into your head.
  14. Write a scene that comes much later but that you’ve been dying to get to.
  15. Find your longest paragraph so far and shorten it by a third.
  16. Pick a minor character (even one you haven’t named) and write a short story about them.
  17. Add scents to two of your scenes (the sweaty corn chip smell of a teenager’s bedroom, the sharp blend of bleach and urine in a public restroom, etc.).
  18. Pick another scene and remove all visual description, supplementing with only sound, scent, taste, and touch.
  19. Read a chapter of that book on writing that’s been gathering dust for the last few months.
  20. Find five verbs in the previous chapter and replace them with more descriptive synonyms. Bonus points if you can eliminate some more adverbs, too (“walking quickly” becomes “sneaking”).
  21. Find five places where you can cut out dialogue tags (he said, she said), without sacrificing clarity.
  22. Pick one character and give them a nervous quirk, like biting their nails or smoothing their mustache. Comb your manuscript for good places to add it in.
  23. You know those notes you make when you get a brilliant idea? The ones you hardly ever look at again? Reread them.

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Now you have no excuse. Go play!

Inspiration Monday: epic naptime

I rearranged my books by color. Even split up some series. I mean, who designs a series of books with clashing spine colors! Pink and orange?!?!? What were they thinking?

Never mind. Just read some of this groovy stuff:

Tkhuynhtdi

Kate

PMAOAudio

Craig

Bryant (couple weeks ago)

Sabrina

LoveTheBadBuy

AllTimeScout

UndueCreativity

Chris

The Rules

There are none. Read the prompts, get inspired, write something. No word count minimum or maximum. You don’t have to include the exact prompt in your piece, and you can interpret the prompt(s) any way you like.

OR

No really; I need rules!

Okay; write 200-500 words on the prompt of your choice. You may either use the prompt as the title of your piece or work it into the body of your piece. You must complete it before 6 pm CST on the Monday following this post.

The Prompts:

Epic naptime
Dial tone
Only the poor can afford
Where did I get that scar?
Funeral cut short

Want to share your Inspiration Monday piece? Post it on your blog and link back to today’s post (here’s a video on how to do it); I’ll include a link to your piece in the next Inspiration Monday post. No blog? Email your piece to me at bekindrewrite (at) yahoo (dot) com.

Plus, get the InMon badge for your site here.

Happy writing!


8 cool ways to get close to your characters

Image by Okko Pyykko.

People who aren’t writers don’t know the extent of background work that goes into writing a novel—how much plot, setting and character development we write that never appears on the published page.

This is a list of a few of those things.

If you find you have a flat, boring, predictable character—or possibly an unpredictable one, whom you can’t force to do anything he is supposed to do—you probably just don’t know him well enough. Here are some icebreaker exercises to get you two acquainted.

  1. Outline a short history of his (or her) life. Born in this type of neighborhood, went to this type of school, had these types of friends, had this first job, was obsessed with this brand of beef jerky, etc. Include all the major emotional events—moving to another town, death in the family, spelling bee won, heart broken, etc. Check every scene in your novel against this history. Does the character’s emotional reaction match his background? (I recently realized that, in my novel, I had recreated the most traumatic event of one character’s childhood, but he endured it with no signs of inner turmoil: not even a flashback. Don’t let this happen to you! Don’t waste a good chance to add drama!)
  1. Write a traumatic scene from his childhood. Pick one part of that history and actually write it out. It can be as traumatic as his parents’ violent deaths or just losing his mom in the grocery store for five minutes, or seeing a scary movie. This’ll help you figure out his deepest fears and how he reacts to them as an adult.
  1. Describe his “emotional acre.” This tip from Anne Lamott’s Bird by Bird. She says we are each born with a sort of imaginary acre of land we can do whatever we want with. Plant vegetables or hold an eternal garage sale, that sort of thing. Based on what you now know about your character’s life, figure out what’s in his emotional acre. What does he nurture, hoard, or leave to ruin? With that in mind, ask what he carries in his pockets (or her purse), or keeps in his sock drawer.
  1. Write a stream of consciousness piece from his point of view. Even if you’re not writing in first person (or if you are, but this character isn’t the narrator), step into his head for half an hour and look through his eyes and read his thoughts. Write down what you discover.
  1. Write what people say about him behind his back. How others see him will reveal a lot about him—even is it isn’t all true. How does he stand? How does he sit? How does his posture change when he is bored or nervous? Do people misinterpret his body language? What are the worst rumors about him? How much of it is true?
  1. Write his eulogy—as written by some of your other characters. What people say about him after his death can be even more revealing. Are they afraid to speak ill of him, or was he such a jerk that no one cares? Do they remember nice things about him they had long forgotten? Do they wonder how they’ll go on without him?
  1. Take the Meyers-Briggs personality test for him. Now that you’ve got a feel for him, answer this series of yes or no questions on his behalf. At the end, they’ll tell you his personality type, give you some essays about that type, and a list of fictional and real characters who have/had the same personality. Read it all!
  1. Give him breathing space. You may go through several drafts of your novel, the character shifting with each draft. His actions and speech will change as you learn more about him, and you may discover things about him that force you to alter your plot. Go with it. Don’t try to force him into a box. In a strange twist that parallels Judeo/Christian theology, if you don’t give your characters free will, they will be boring, soulless robots.

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What Meyers-Briggs personality type is your character? Tell me in the comments! (I’ve got an INTJ and an INSJ.)

Inspiration Monday: speechcraft

Blue. Man. Group. Saw them Saturday night. So fun. If you ever get the chance to see them, I highly recommend it.

In other news, happy Independence Day to my fellow Americans! And to my British friends, no hard feelings?

I plan to sleep in Wednesday, get some writing done, watch a Will Smith movie about an alien invasion, and go see fireworks somewhere. How ’bout y’all?

You could start your personal celebration by reading some of the brilliant work linked below:

LadyWhispers

Craig

UnhealthyObsessionWithWords

Elmo

Kate

Chris and another

PMAOAudio

Lynne

Kim

The Rules

There are none. Read the prompts, get inspired, write something. No word count minimum or maximum. You don’t have to include the exact prompt in your piece, and you can interpret the prompt(s) any way you like.

OR

No really; I need rules!

Okay; write 200-500 words on the prompt of your choice. You may either use the prompt as the title of your piece or work it into the body of your piece. You must complete it before 6 pm CST on the Monday following this post.

The Prompts:

Speechcraft
Praying for sleep
Someone on the other line
Changes when you look at it
What year is it?

Want to share your Inspiration Monday piece? Post it on your blog and link back to today’s post (here’s a video on how to do it); I’ll include a link to your piece in the next Inspiration Monday post. No blog? Email your piece to me at bekindrewrite (at) yahoo (dot) com.

Plus, get the InMon badge for your site here.

Happy writing!