Archive | May, 2011

Inspiration Monday XIV

30 May

Happy Memorial Day, whether or not you are American – and thanks to all the folks who risk (and give up) their lives so that we can post whatever the heck we want on blogs and stuff. It’s a heavy price, and I hope I don’t have to remind the Rewriters not to waste this opportunity to speak their minds in the very best way they know how.

In other news, with my three-day weekend, I made some excellent progress with the Super Secret Project!

And all the InMon submissions continue to impress me. There are a few new faces this week; please be sure to welcome them!

pianolover1114

Patti

Bayley

Marantha

Mike and two

Billie Jo

Jinx

Scribbla

Kay

Chessie

Hugmore

Carl

Char

Mike per Char

***EDIT: So, apparently it’s week 14. Not week 19. I could make the excuse that the V and the X are so close to each other on the keyboard, or that I preferred the symmetry of XIX, but I’d be lying. I’ve changed the post title, but the URL/link is permanently XIX, so be sure to link correctly. Thanks for the heads up, Patti!

****EDIT: please also welcome Lady Nimue and check out Barb’s piece

–

The Rules

There are none. Read the prompts, get inspired, write something. No word count minimum or maximum. You don’t have to include the exact prompt in your piece, and you can interpret the prompt(s) any way you like.

OR

No really; I need rules!

Okay; write 200-500 words on the prompt of your choice. You may either use the prompt as the title of your piece or work it into the body of your piece. You must complete it before6 pm CSTon the Monday following this post.

The Prompts:

The crime of forgetting *

Wait for my signal

Sideways in time

Broken heart. Bloody hammer.

Overexposed

Want to share your Inspiration Monday piece? Post it on your blog and link back to today’s post; I’ll include a link to your piece in the next Inspiration Monday post. No blog? Email your piece to me at stephanie (at) balcomagency (dot) com.

Plus, get the InMon badge for your site here.

Happy writing!

–

*Today’s first prompt brought to you by Jinx. Thanks, girl!

A Defense of Happy Endings

27 May

Let’s get down to it. What’s better: a happy ending or a sad one – and why?

First, let’s define “happy” and “sad” endings. It’s not as simple as whether or not the hero survives; Shakespeare’s Hamlet and Lewis’s The Last Battle both end with everyone dying, but one leaves you in despair and the other brings you incredible joy.

I think it’s more accurately measured by the presence of two things: meaning and victory. Compare Sydney Carton’s death in A Tale of Two Cities to any Nicholas Sparks book. Everything that happens in Two Cities leads up to, even contributes to, Carton’s death, and he dies nobly (meaningfully), to save a friend (victory). Whereas Sparks’s M.O. is for two people to find love, only to lose it again (defeat) when one of them unexpectedly (senselessly) dies in a car wreck, in a shipwreck, or of Leukemia. We cry an awful lot at Sparks (at least the movies; I never deemed the books worthy of my time) as well as at Dickens, but one leaves us sad and the other, satisfied. Dickens’s ending is meaningful; Sparks’s is a parlor trick.

Sparksstirs up emotion, sure – but tears are cheap. It’s easy to get our characters into scrapes, to beat them bloody, to take away everything they care about; it’s harder to get them out of trouble, heal them, and give them their hearts’ desires while making it meaningful and believable instead of nauseatingly cheesy. But the fact is – and Dickens proves it – it can be done.

Happy endings sometimes seem cheesy because they are unrealistically glossy – like nothing bad ever happened again. These are either simplified to reinforce the style of the story (perhaps for younger readers), or are just badly written. But some people lump all happy endings into the same “Unrealistic” category. They call themselves realists, preferring books that speak the “hard truth.” They scorn stories that end with weddings, saying the marriage would never last in real life. But that’s not realism. Realism is acknowledging that some marriages end in divorce; cynicism is assuming they all do.

And the funny thing about cynicism? It’s a self-fulfilling prophecy. How much of what’s wrong in real life, failed marriages included, is that way just because people have given up fighting? If you write about a “realistic” failed marriage, what good is it? You’re not revealing anything your readers haven’t seen already. You’re only reinforcing hopelessness. Why not write about a struggling couple that fights to save their marriage? You can empower your readers to hope and to fight without being cheesy or unrealistic.

Don’t be silly, you might say; everyone knows it’s just a story. Readers don’t take it to heart.

That’s a lie. Even the cynical marketing world I work in acknowledges that the story is one of the most powerful forces on earth. A well-crafted story doesn’t just claim that a bad situation can turn out well—it shows how a bad situation can turn out well. Stories can make people see new possibilities. Stories can change people’s minds. Stories can inspire or discourage.

What will your stories do?

Inspiration Monday XIII

23 May

Gorgeous work as usual this…last…this past week (I never quite know how to say that). The most popular prompt was “paper towns,” so I thought I’d introduce you all to the author (I don’t know him personally, but I like to pretend). You can watch him read a part of the book here. And don’t forget to read your fellow Rewriters!

Kay

Drew

Billie Jo

Scribbla

Mike

Char

Carl

Bayley and two

Jinx (guest post)

Barb

–

EDIT: Mark was late but his piece is brilliant, and I had to add it.

The Rules

There are none. Read the prompts, get inspired, write something. No word count minimum or maximum. You don’t have to include the exact prompt in your piece, and you can interpret the prompt(s) any way you like.

OR

No really; I need rules!

Okay; write 200-500 words on the prompt of your choice. You may either use the prompt as the title of your piece or work it into the body of your piece. You must complete it before6 pm CSTon the Monday following this post.

The Prompts:

I used to have dreams*

The stink of clean*

Disposable men*

I never breathed

How to make a mask

 

If you want to share your Inspiration Monday piece, post it on your blog and link back to today’s post; I’ll include a link to your piece in the next Inspiration Monday post. No blog? Email your piece to me at stephanie (at) balcomagency (dot) com.

Happy writing! And DFTBA.

–

Today’s prompts brought to you by Rewriter Jinx, contributor TragicPete, and the band Chevelle, respectively.

Are writers sadists?

20 May

“Every book I’ve ever written ends with someone dying; every one. Really nice people too. Like the book about Helen, the school teacher. I killed her the day before summer vacation. How cruel is that?”

-         Karen Eiffel, Stranger Than Fiction

“I’d really like to see him,” he added. “Dustfinger, I mean. Naturally I’m sorry now that I thought up such an unhappy ending for the poor fellow, but it somehow seemed right for him.”

-         Fenoglio in Inkheart, by Cornelia Funke

Admit it. You love writing in the sad bits, the death scenes, the broken hearts. I know, because I do, too. But why? Why do we so enjoy torturing characters we’ve come to love? I mean, we wouldn’t do that in real life. We’re all pretty good people, right?

But if the author is good, how come bad things happen to good characters?

Because that’s the Way Things Are. It wouldn’t be realistic if I wrote it otherwise.

Then why are you writing it, doofus? Save yourself the trouble of making up sad stories and just stick with true ones.

Maybe I just like the control. We all like to play God.

Baloney sandwiches. You know perfectly well that after you have created your characters, you lose control of them completely.

Fine. Then I guess because…it’s beautiful, somehow.

Beautiful? What kind of a sick person are you? You think it’s beautiful for a person to have their heart ripped in two?

I don’t know. Something about it is.

My theory is this. We sense beauty in these situations and misinterpret it, thinking darkness is beautiful. But really, pain is beautiful only because it is evidence of something good. We love to write about the grieving widower because it illustrates how much he loved his wife. We love writing about the child dying of cancer because it illustrates how precious life is. It’s that love, that preciousness, that is beautiful. We have trouble seeing goodness if all is well, but when we take something away from a character, or threaten to take it, we prove the worth of that thing by the character’s reaction.

Say you have the chance to meet your protagonist (as did the authors in the quotes above) – to enter your story at its darkest moment. You kneel beside your hero as he coughs up blood, look into his slightly glassy eyes, and tell him everything is going to be okay. You wouldn’t give him any details, of course – that he’ll overcome the villain at the last moment – that would ruin the ending. You wouldn’t even want him to believe the part about everything being okay, not really. You’d just want to give him the tiniest glimmer of hope. Not enough to banish his fear, not enough to lift the deepening despair; just enough to keep him fighting. To push himself off the floor and pick up his sword.

And even if you prefer sad endings, and he does die, the point remains – that he picked up his sword. He didn’t give up, because there was something worth fighting for.

And that is beautiful.

Go Ahead, pull your Finger

17 May

Musicians do it, so should we.

Snap, crackle, pop. It is important to properly maintain your tools regularly. Whether one writes with a pen(cil) or a keyboard, we must all take care of our hands. Some people think popping knuckles is bad for you, some are just uncomfortable doing it.

Do it anyway.

Chiropractors pop necks, backs, elbows, ankles, and all other joints, and you pay them for it. Writing for hours can be a big strain on the hands and fingers. Once my fingers got stuck in the pencil-grip position for several minutes after. It could happen to you. 

Pop your knuckles

Stretch your fingers

Bend them behind the hand

Pull them gently out from your hand to extend them all the way from your wrist

Bend your wrists back

Bend your thumbs back

Extend your fingers in a wide stretch then bend them like claws, repeat that a lot.

Play with chinese medacine balls (they’re the little metal ones that jingle); this is for dexterity.

Put a rubber band around your fingers and thumb and move them in and out repeatedly to create and release tension in the band; this is for strength and stretching.

Massage your hands

Do the Mr. Miagi rub together for warming up.

Do these before/during/after long writing sessions and your hands and fingers with be happy and crampless.

Don’t let your hands get like this.

That is all.

Inspiration Monday XII

16 May

Last week was rife with the (unfounded) insecurity of Rewriters who didn’t like their pieces but had the courage to post them anyway, much to the delight of the readers, who found them as good as ever. Be sure to read around!

Also, in case you missed yesterday’s post by TragicPete, be sure to pop over. “Pete” is my long-time critique partner and also happens to be my brother. He mentioned he needed an outlet for some of his shorter work, and just last week it occured to me that inviting him to join my blog would be the perfect solution. He expects to post once or twice a month, and you’ll probably see him around in the comments.

***EDIT: Check out the InMon page for official InMon badges created by Marantha!

Jinx and two

Patti

Marantha

Mike

Ken

Scribbla

Kay

Billie Jo

Drew

Hugmore

Fredi

Char

Carl

–

The Rules

There are none. Read the prompts, get inspired, write something. No word count minimum or maximum. You don’t have to include the exact prompt in your piece, and you can interpret the prompt(s) any way you like.

OR

No really; I need rules!

Okay; write 200-500 words on the prompt of your choice. You may either use the prompt as the title of your piece or work it into the body of your piece. You must complete it before6 pm CSTon the Monday following this post.

The Prompts:

Paper towns*

The firing squad couldn’t face him

 Seemed like a good idea at the time

Unorthodox alarm clock

You wouldn’t think to look at her

If you want to share your Inspiration Monday piece, post it on your blog and link back to today’s post; I’ll include a link to your piece in the next Inspiration Monday post. No blog? Email your piece to me at stephanie (at) balcomagency (dot) com.

Happy writing!

–

Today’s first prompt brought to you by a book of the same title, by John Green.

The New Kid

15 May

Good day to you all. I am Tragic Pete. I will be assisting bekind with this blog, posting various tips, as well as a few of my own pieces of writing on occasion. Below is my most recent random thing; a sample, an introduction.

 

All the bits and pieces of the earth collide, combine, tear apart and reconnect repeatedly and continuously forming new and different bits out of the same elements. New grows old and becomes new again, disintegrate, rearrange, and converge into a bit that was not there before and yet has always been. All that I am in contact with becomes me, and I a part of it. I walk on the floor, I sit in a chair, I wear clothes and yet am naked, for my skin touches the cloth, the cloth touches the chair, the chair touches the floor and the floor is the ground where the earth is kept neatly out of sight. Everything touches everything else, molecules brush up against others that are not the same, but opposites attract and hold on to communicate what could be accomplished if electrons make the effort to produce and reproduce in a consummation of elemental harmony. I am therefore out of my body and into the earth. I am the wood of my desk, I am the circuits in the screen that displays words that are the fruit of my labor, my life’s work, an accomplishment of my brain to my fingers to the keys to the light that beams from the screen to my eyes that tell my brain I have written this, for here it is. I am what I write,what I write is what you read, what you read becomes a part of you. I am you.

How to Format Your Manuscript

13 May

Times New Roman. 12 pt font. Double spaced. You’ve got all that covered. But what else do you have to do to get your manuscript in shape for submission? Here’s some handy info I stole from a used copy of Writer’s Market (any edition of which I highly recommend; mine’s a 2004).

Cover page

In the upper left-hand corner, list your real name, street address, phone number, and email address (remember to use a professional-looking email addy based on your name) – this is the only part that should be single-spaced.

 In the upper right-hand corner, put the word count rounded to the nearest 500.

 One-third of the way down the page, center the book title in all caps. Double space, “by,” double-space again and type your name (or pseudonym).

Chapters

Start each chapter on a new page, one-third of the way down the page. Write the number of the chapter, a colon, and the chapter title (if applicable) in all caps, centered. Double space and begin the chapter.

Header

Create a header with your last name, page number, and shortened version of book title (unless it’s already short), all separated by dashes, and all caps. (For directions on this, type “insert header” into the search in MS Word Help.) 

Spaces

Double space everything. Indent the first line of every paragraph. Do NOT include an extra line between each paragraph, and do NOT include an extra space between sentences. Align text to the left; do NOT justify. Your margins are fine at whatever Word automatically sets them (usually between 1 and 1.5 inches).

Favor Chicago over AP Style

Generally, fiction favors Chicago style and journalism favors AP style. So use em dashes—like this—instead of en dashes – like this. And don’t forget your serial commas when listing three, four, or more of anything. When in doubt, consult Strunk & White.

No fancy fonts!

I know I already mentioned Times New Roman. Apparently Courier is okay, too. But seriously – don’t even use a fancy font for the titles. Your story should stand out because of the writing, not the type. Besides, if you send an e-query, the agent’s computer might not recognize said fancy font, and it’ll just pick the next-closest thing, which may look grotesque.

No fancy paper!

Standard 8.5×11 white printer paper. No colors, designs or sparkles!

File type

“.doc” seems to be the universally accepted file type. If you have a current version of MS Word, it may automatically save as a .docx, but if the agent you are querying has an older version of Word (like mine), they won’t be able to open it – so make sure you change it to .doc.

Questions? Need clarification? Shoot me a comment!

Inspiration Monday XI

9 May

I think you guys are the nicest people on the planet. And also some of the most talented. Thanks for being so understanding about everything, thanks for being encouraging both to me and to each other, and thanks most of all for writing! I think words are more powerful than any of us realize.

Rashmi told me how to get the poll up – so if you haven’t already made your opinion known in yesterday’s comments, click through to my home page and click on the poll on the right sidebar.

And click on some of these names! All of them are well worth the read (or the listen!)

Kay

Fredi and two and three

Jinx

Drew

Carl

Billie Jo

Marantha

Hugmore

Patti

Scribbla

Char

Mike and two and three

Mark

Barb

Also, Drew, the Rewriters’ resident composer, actually produced an actual song based on lyrics he wrote for InMon VII - actually a real song! Go check it out.

–

The Rules

There are none. Read the prompts, get inspired, write something. No word count minimum or maximum. You don’t have to include the exact prompt in your piece, and you can interpret the prompt(s) any way you like.

OR

No really; I need rules!

Okay; write 200-500 words on the prompt of your choice. You may either use the prompt as the title of your piece or work it into the body of your piece. You must complete it before6 pm CSTon the Monday following this post.

The Prompts:

The curse of immortality
War was the least of our problems
Sun sets, curtain rises
Declared independence. Nobody listened.
One man’s trash

 

If you want to share your Inspiration Monday piece, post it on your blog and link back to today’s post; I’ll include a link to your piece in the next Inspiration Monday post. No blog? Email your piece to me at stephanie (at) balcomagency (dot) com.

Happy writing!

Change coming to Inspiration Monday

8 May

 

Dear, dear, dear Rewriters,


First of all, don’t panic. It’s only a small change, and I think it’ll hurt me more than it hurts you. In fact, I’ve been arguing with myself over it for the past two weeks.

Time constraints dictate that, for future Inspiration Mondays, I can only promise to read the first ten unique submissions (“unique” meaning from different people). This doesn’t mean I won’t read your submission if it happens to be number eleven. It just means I might not read it. I will also continue to link to ALL submissions (so keep linking back!).

This is in no way a guilt trip or a veiled request for less participation. The whole point of InMon is to write more! I hope that more people will continue to be regularly involved, and if any of you even thinks of apologizing for participating “too much,” I will hire a private investigator to find out where you live so I can go smack you upside the head.

Really, this was bound to happen sooner or later. If I want this thing to grow, I can’t limit it to what just one person can keep up with. But even now, as my cursor hovers over the “Publish” button, I am hesitating. I don’t want you to think I don’t care, or that reading your work is even a chore – it’s not! This is like giving up chocolate or something. All week long, I was reading submissions, thinking – what if she writes something this fantastic next week and I don’t even read it? What if he tops himself again next week and I miss it? Plus, you’ve all been so kind and supportive. So even though this is torturing me, I wanted to be up front with you guys about the what, the why and whatever else.
First Tuesday posts, now InMon reading, are you slowly inching away?
No! I’m simply instituting practical guidelines for myself so I can keep this good thing going. There’s so much I want to do with this blog! But I only started blogging seriously last February, so I’m still gauging how much I can handle.
Will there be any other changes to InMon in the future?
If the submissions keep building, I may have to limit links. For instance, if we get up to 40 or 50 per week, I may only link to the first 25. But for now, I’ll continue linking to all submissions.
The only other changes I can foresee might be how I select the 10 to read or the 25 to link – I may start choosing randomly, or focusing on new faces. Also, there may be some “break” weeks for holidays like Thanksgiving, Christmas, and the Super Secret Project.

 
What is the Super Secret Project???
I can’t tell you yet! But I’m about 25% of the way into preparations.

And another thing…
I don’t want you to look at me as some kind of faceless, inaccessible “expert.” First, I’m not really an expert. I’m still learning, too. Second, this is a community; we should help each other. So talk to me! Ask me questions! If I can possibly help, I will.

A question to leave you with:

What do you guys think about maybe, possibly, sometime in the future self-publishing a collection of the “best of InMon” in a book? All the Rewriters would pick the best of their submissions, and we’d put them all together in a book through Lulu.com or something like that. Nothing fancy—it would only be marketed to our small community—but I think it would be cool. I’ve created a poll (click through if you are reading through email/RSS), and feel free to elaborate on your thoughts in the comments.

EDIT: Okay, I can’t figure out how to get the poll up. Just let me know what you think in the comments.

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