7 tips for naming your characters

StanleyYelnats. Dreadful Spiller. The Artful Dodger. Lemony Snicket. Ebenezer Scrooge. Arwen Undomiel. Atreyu. Ender Wiggin. Their names are sealed in our hearts forever. So how do we find names for our own characters that have the same staying power?

Baby Name Books

Yes, people actually buy entire books to help them name the two or three children they will have. And then they give the books to used book stores where us hardcore namers can pick them up for half price. These books have lists of first names with meanings, and often etymology, associations in popular culture, and Most Popular lists. There are also several websites that do the same thing. This one, for instance. Or this one, which has popular names from a variety of countries.

Phone Books

Yes! Printed phone books still have a purpose! The residential white pages offer a plethora of options for last names. So if you don’t want all your characters named Smith or Jones or Garcia or Nguyen, pull a real phone book out of the paper recycling and stash it on your bookshelf. Any old edition will do (YellowPages.com isn’t exactly browse-able).

Translation Dictionaries

If your story takes place in a fictional world that presumably speaks a different language, pick up a couple of translation dictionaries in some languages that strike your fancy. Then find a cool sounding word, and change the letters around until it sounds right for your made-up culture. This can work for first and last names.

The Thesaurus

If you want to get a little more whimsical, play around with some synonyms. This often works best for nicknames, but there are no rules.

Bible Names

There are tons of cool names in the Bible—and not just the obvious ones like Adam, Abraham, Sarah, and David. Ishmael is a Bible name. Or there’s Nimrod, Mor’decai, and Eleazar. Start in Genesis 4-5, 10-11 for some good lists, and flip around at your leisure for more.

Choose Different Initials

Characters named Mark and Matt and Mary and Molly can confuse your readers pretty quickly. Make sure to choose names with a variety of first letters to help your readers keep characters straight. Sometimes, however, giving siblings or other family members similar names helps readers to remember how they relate to each other (like Fili and Kili and Oin and Gloin and so on).

Choose for Phonaesthetics

Phonaesthetics refers to the beauty or ugliness of words based on the way they sound, not on their meaning (for instance, beauty and pulchritude are synonyms, but the former is far more phonaesthetically pleasing than the latter). Giving an evil villain an ugly name, or your hero a noble-sounding name, or your comic relief a name that’s fun to say can make those names stick in your readers’ heads.

What are some of your favorite character names—read or written?

Inspiration Monday: cryptocracy

Hope you’ve all had a merry Christmas! I’m back with web access, so be sure to check out the new piece linked below!

Janece

Chris

Mike and another and one more!

Craig

New piece!:

Chris

_

The Rules

There are none. Read the prompts, get inspired, write something. No word count minimum or maximum. You don’t have to include the exact prompt in your piece, and you can interpret the prompt(s) any way you like.

OR

No really; I need rules!

Okay; write 200-500 words on the prompt of your choice. You may either use the prompt as the title of your piece or work it into the body of your piece. You must complete it before 6 pm CST on the Monday following this post.

The Prompts:

Cryptocracy*
Don’t look
Didn’t know it was loaded
This means war
Never agreed to this

Want to share your Inspiration Monday piece? Post it on your blog and link back to today’s post; I’ll include a link to your piece in the next Inspiration Monday post. No blog? Email your piece to me at bekindrewrite (at) yahoo (dot) com.

Plus, get the InMon badge for your site here.

Happy writing!

* This word means “secret government,” and I stole it from Anne Setliffe, a good friend of mine here on the blogosphere. Thanks Anne-with-an-e!

Why children need to believe in Santa Claus

I met the guy once. He actually had a reindeer driver's license.

In 1897, a little girl wrote to the New York Sun asking if there was a Santa Claus. This was the reply.  (Go ahead and read it. I’ll wait here with a box of tissues.)

Some parents will no doubt think this is wrong–that telling their children stories about Santa Claus is lying. They’re afraid once their children find out the truth, they’ll have broken trust. But I’ve never actually seen this happen in real life. Kids are smart. More often, as they grow up, they start to better understand the difference between fairy tales and true stories.  They get that one is for fun, and one is for real. It’s a non-issue.

No, the parents’ objections are all part of the ongoing war between fiction and non-fiction—the realists’ disdain for stories about people who never lived and events that never happened. But I’m not here to argue that fiction is safe to give your children.

I’m here to tell you it’s necessary to humanity.

Non-fiction is, of course, vastly important. But there are things it cannot do. Non-fiction is what was, or what is. Fiction is what if.

Fiction is the genre of ideas. Of things that don’t exist yet. Fiction is the food of inventors. You think cell phones came out of the blue? Ha! Heinlein was writing about them in the 60s!

But it’s not just the what if. An idea by itself rarely sticks to the human mind for long. It needs the vehicle of a story.

A real-life (non-fiction!) example.

Back in the 30s or 40s there was a magazine called Astounding Science Fiction. Professors or scientists would write pieces based on technical ideas they had, and editor John W. Campbell, Jr. would doctor them up a bit and publish them. But the articles were all about machines—not people. They were fiction only in that they were speculative; they weren’t really stories.

And they weren’t selling.

Stories are the packages that make ideas compelling to the average Joe, who doesn’t know a thing about quantum physics and whatnot. So the Street and Smith publishing company called in top adventure writers like L. Ron Hubbard and Arthur J. Burks to save the magazine.

Hubbard talks about it in the introduction of Battlefield Earth:

“At the beginning of that time, science fiction was regarded as a sort of awful stepchild in the world of literature. But worse than that, science itself was not getting the attention or the grants or the government expenditures it should have received. There has to be a lot of public interest and demand before politicians shell out the funding necessary to get a subject whizzing.Campbell’s crew of writers were pretty stellar. They included very top-liner names. They improved the literary quality of the genre. And they began the boom of its broader popularity.

…In 1945 I attended a meeting of old scientist and science fiction friends. The meeting was at the home of my dear friend, the incomparable Bob Heinlein. And do you know what was their agenda? How to get man into space fast enough so that he would be distracted from further wars on Earth. And they were the lads who had the government ear and authority to do it! We are coming close to doing. The scientists got man into space and even had the Russians cooperating for awhile.”

The result?

Okay, so the space program hasn’t achieved world peace, but we did get to the moon. Think about that for a second. We walked on the moon. Because of sci-fi stories. One or two hundred years ago, you can bet the “realists” were scoffing at that idea.

And it’s not only science fiction. Ali Baba’s “open sesame”? Voice-recognition technology!

And really, how could airplanes ever have happened without Icarus?

So don’t scoff at Santa Claus. Don’t be afraid of damaging your children with fantasy. How can they learn to think outside the box if you don’t even let them color outside the lines?

Inspiration Monday: no time to bleed

So Christmas is Sunday! I won’t have web access on Monday, but I’ll post prompts with the “publish later” feature – this just means I might not have linked to your story yet if you post it after, say, Saturday. I will update the post Tuesday night with any missing links. But I’ll run through all this Friday. Unless I forget. If I do forget – merry Christmas everybody! Or happy Hanukkah!

Read on!

Craig

Lady Nimue

Chris

Siggi and another

Janece

Robin

Lynnette

LovetheBadGuy continues Sleet’s story

Barb

_

The Rules

There are none. Read the prompts, get inspired, write something. No word count minimum or maximum. You don’t have to include the exact prompt in your piece, and you can interpret the prompt(s) any way you like.

OR

No really; I need rules!

Okay; write 200-500 words on the prompt of your choice. You may either use the prompt as the title of your piece or work it into the body of your piece. You must complete it before 6 pm CST on the Monday following this post.

The Prompts:

no time to bleed*
things we lost in the fire**
clockwork soul
wandering mind
safe word

Want to share your Inspiration Monday piece? Post it on your blog and link back to today’s post; I’ll include a link to your piece in the next Inspiration Monday post. No blog? Email your piece to me at bekindrewrite (at) yahoo (dot) com.

Plus, get the InMon badge for your site here.

Happy writing!

*The only line I know from Predator. Unless “Get to the chopper!” is the same movie???

**Another movie I haven’t seen. But what a title!

How to destroy an idea

Last week we discussed how words are tools that make complex ideas portable. And ideas are powerful. Ideas create change. Ideas founded the country I live in. Creating ideas can be dangerous. But destroying ideas can be even more so.

So how do you destroy an idea?

Just kill the word.

George Orwell, Rose Macauley, and C.S. Lewis all wrote about it.

It starts out harmlessly enough. First, change the word from an objective fact into a subjective insult or compliment. For instance, the words villain and gentleman both used to refer to specific positions in society. A villain was a worker of a country estate. A gentleman was a man who lived off the interest of his property. Then people began to use gentleman to mean a person of good breeding or manners. Soon, the signs of verbicide appeared:

“As long as gentleman has a clear meaning, it is enough to say that So-and-so is a gentleman. When we begin saying that he is a ‘real gentleman’ or ‘a true gentleman’ or ‘a gentleman in the truest sense’ we may be sure that the word has not long to live.”  -C.S. Lewis, The Death of Words

A word that becomes nothing but a compliment soon becomes overused and meaningless. Gentleman is now nothing but a polite term for male. Conversely, as soon as a word gains negative connotations, we avoid it. Think of all the harmless, factual descriptors that have become naughty words: Illegitimate. Dog. Excrement. And villain may not be “naughty,” but it certainly isn’t nice.

So, when a word becomes a synonym for good or bad, its original meaning fades.

As Mr. Lewis puts it:

“The vocabulary of flattery and insult is continually enlarged at the expense of the vocabulary of definition. …so words in their last decay go to swell the enormous list of synonyms for good and bad. And as long as most people are more anxious to express their likes and dislikes than to describe facts, this must remain a universal truth about language.”

Here’s the scary part.

Now, the first time I read the essay quoted above, it got me thinking. But then I read 1984, and it freaked me out. Because Orwell talked about good and bad synonyms, too. Listen in on this conversation about Newspeak (Big Brother’s idea of a language):

“It’s a beautiful thing, the destruction of words. Of course the great wastage is in the verbs and adjectives, but there are hundreds of nouns that can be got rid of as well. It isn’t only the synonyms; there are also the antonyms. After all, what justification is there for a word which is simply the opposite of some other word? A word contains its opposite in itself. Take ‘good’, for instance. If you have a word like ‘good’, what need is there for a word like ‘bad’? ‘Ungood’ will do just as well—better, because it’s an exact opposite, which the other is not. Or again, if you want a stronger version of ‘good’, what sense is there in having a whole string of vague useless words like ‘excellent’ and ‘splendid’ and all the rest of them? ‘Plusgood’ covers the meaning; or ‘doubleplusgood’ if you want something stronger still…In the end the whole notion of goodness and badness will be covered by only six words—in reality, only one word.”

And the punchline:

“Don’t you see that the whole aim of Newspeak is to narrow the range of thought? In the end we shall make thoughtcrime literally impossible, because there will be no words in which to express it. Every concept that can ever be needed will be expressed by exactly one word, with its meaning rigidly defined and all its subsidiary meanings rubbed out and forgotten.”

Mr. Lewis sums it up:

“…when, however reverently, you have killed a word you have also, as far as in you lay, blotted from the human mind the thing that word originally stood for. Men do not long continue to think what they have forgotten how to say.

Now let that sink in.

When words die, ideas die. We are not only the creators of words and ideas; we are their caretakers. Our job is about more than using proper grammar. It’s about fighting for meaning.

What words do you see dying?